Narrating Ecopolitics and the Poetics of Slow Violence in Imbolo Mbue’s How Beautiful We Were

Abstract In her second novel How Beautiful We Were (2021), the Cameroonian-American writer Imbolo Mbue addresses the devastating environmental and human consequences of Big Oil on a community in a fictional African setting. In this article I investigate the power of narratives to evoke environmental injustice and discuss the narrative strategies and dominant themes employed in this ‘oil novel’ to depict the violent disruptions experienced by the environment and the members of the community. While my reading is guided by insights gained from the work of a number of postcolonial environmental critics, several of the concepts proposed by Rob Nixon (2011) have proven especially useful. More precisely, in this article I explore issues such as the power of literary representation and narrative strategies, the impact of colonial legacies and post-independence conditions, neo-colonial realities of toxic imperialism, and their repercussions on cultural identity and environmental integrity.

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Publication Details

Journal
Matatu
Published
2024-10-07
DOI
https://doi.org/10.1163/18757421-bja00013
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
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article

Narrating Ecopolitics and the Poetics of Slow Violence in Imbolo Mbue’s How Beautiful We Were

Petra Tournay–Theodotou
Matatu
Postcolonial and Cultural Literary Studies
article

Narrating Ecopolitics and the Poetics of Slow Violence in Imbolo Mbue’s How Beautiful We Were

Petra Tournay–Theodotou
article en

Abstract

Abstract In her second novel How Beautiful We Were (2021), the Cameroonian-American writer Imbolo Mbue addresses the devastating environmental and human consequences of Big Oil on a community in a fictional African setting. In this article I investigate the power of narratives to evoke environmental injustice and discuss the narrative strategies and dominant themes employed in this ‘oil novel’ to depict the violent disruptions experienced by the environment and the members of the community. While my reading is guided by insights gained from the work of a number of postcolonial environmental critics, several of the concepts proposed by Rob Nixon (2011) have proven especially useful. More precisely, in this article I explore issues such as the power of literary representation and narrative strategies, the impact of colonial legacies and post-independence conditions, neo-colonial realities of toxic imperialism, and their repercussions on cultural identity and environmental integrity.

MatatuVol. 55(2)
European University Cyprus (CY)
Openalex Percentile: Top 74%
Postcolonial and Cultural Literary Studies
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Narrating Ecopolitics and the Poetics of Slow Violence in Imbolo Mbue’s How Beautiful We Were — Petra Tournay–Theodotou · Matatu (2024) | TGRS Research Map | TGRS