Whiteness construction in South Korean digital spaces: Oliver-ssaem’s strategic identity-distancing for visibility on YouTube

Oliver-ssaem, a White American and former English teacher in South Korea, has risen to prominence as a YouTube content creator exploring both Korean and American cultures. His intentional role as a cultural intermediary between Korea and the U.S. highlights how he strategically employs his Whiteness to enhance visibility. When targeting Korean viewers, Oliver-ssaem not only praises and endorses the excellence of Korean culture and products but also highlights negative aspects of U.S. culture. The perceived value of his endorsement and mediation of U.S. culture is rooted in Oliver-ssaem’s embodiment of a desirable, objective, and progressive Whiteness, inadvertently perpetuating global White hegemony. By examining his visibility strategy through the lens of the historical and cultural relationship between the U.S. and Korea, we argue for a localized and contextualized analysis of the commodification of Whiteness, particularly in Asian digital spaces.

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Publication Details

Journal
Convergence The International Journal of Research into New Media Technologies
Published
2024-10-07
DOI
https://doi.org/10.1177/13548565241287921
Citations
1
Primary Topic
Media Studies and Communication
Type
article
Field-Weighted Citation Impact
0.96
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article

Whiteness construction in South Korean digital spaces: Oliver-ssaem’s strategic identity-distancing for visibility on YouTube

Dasol Kim, Seonah Kim
1 citations
Convergence The International Journal of Research into New Media Technologies
Media Studies and Communication
0.96
article

Whiteness construction in South Korean digital spaces: Oliver-ssaem’s strategic identity-distancing for visibility on YouTube

Dasol Kim, Seonah Kim
article en
1 citations

Abstract

Oliver-ssaem, a White American and former English teacher in South Korea, has risen to prominence as a YouTube content creator exploring both Korean and American cultures. His intentional role as a cultural intermediary between Korea and the U.S. highlights how he strategically employs his Whiteness to enhance visibility. When targeting Korean viewers, Oliver-ssaem not only praises and endorses the excellence of Korean culture and products but also highlights negative aspects of U.S. culture. The perceived value of his endorsement and mediation of U.S. culture is rooted in Oliver-ssaem’s embodiment of a desirable, objective, and progressive Whiteness, inadvertently perpetuating global White hegemony. By examining his visibility strategy through the lens of the historical and cultural relationship between the U.S. and Korea, we argue for a localized and contextualized analysis of the commodification of Whiteness, particularly in Asian digital spaces.

Convergence The International Journal of Research into New Media TechnologiesVol. 31(3)
SUNY New Paltz (US)
Quality Education
Openalex Percentile: Top 21%
Media Studies and Communication
0.96
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