Social Reproductive Labor and Uto/Dystopia: An Analysis of <i>Leila, Midnight Robber</i> and <i>Woman World</i>

Contemporary science fiction and speculative fiction with utopian/dystopian aspects from South Asia and the Caribbean have rarely been studied in tandem. Furthermore, no scholarly work has analyzed such texts produced under conditions of contemporary capitalism in the light of social reproduction theory which considers social reproductive labor that rejuvenates labor power. I study Leila (2017) by the Indian writer Prayaag Akbar, Midnight Robber (2000) by the Jamaican-born Nalo Hopkinson, and Woman World (2018) by the diasporic Indian writer Aminder Dhaliwal to connect social reproductive labor and utopianism and argue that social reproductive labor rejuvenates the labor power of utopian agents in social reproductive spaces such as homes, schools, hospitals, gardens etc. resisting dystopian conditions, nurturing hope, and rejuvenating utopian thinking. I question how utopianism is related to social reproductive labor in postcolonial contexts of the Global South, and propose that 1) dystopian scenarios are brought about by control of social reproductive spaces and 2) progress/betterment is actualized with renewal and rejuvenation via social reproductive labor. I contend that relating twenty-first-century utopianism to social reproduction is a valuable and novel approach, especially in postcolonial contexts where conditions of labor have been determined by complex histories of colonialism, enslavement, and indentured labor.