Sentimental Porcelain. Meissen Porcelain and Enlightenment Sensibility in Late Eighteenth-Century Saxony

Meissen porcelain objects representing sentimental subjects – such as scenes of familial and romantic love, and the joys of childhood – are documents of fundamental importance for understanding the penetration of Enlightenment ideas into late eighteenth-century Saxony. They speak to the reception of key Enlightenment literary works in social contexts characterised by a new elite made up of wealthy members of the bourgeoisie and liberal aristocrats united in their embrace of progressive ideas about the relationship between reason and sentiment. Embedded as they were in very specific social practices – the sociable rituals of hot beverage consumption, and cultures of viewing and conversation in the domestic interior – these porcelain objects are primary evidence for identifying and reconstructing emotional communities founded on a shared embrace of Enlightenment sensibility amongst the upper echelons of Saxon society in the last decades of the eighteenth century.

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Publication Details

Journal
Diciottesimo Secolo
Published
2024-10-07
DOI
https://doi.org/10.36253/ds-15043
Citations
1
Primary Topic
Medieval European History and Architecture
Type
article
Field-Weighted Citation Impact
2.92
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article

Sentimental Porcelain. Meissen Porcelain and Enlightenment Sensibility in Late Eighteenth-Century Saxony

Matthew Martin
1 citations
Diciottesimo Secolo
Medieval European History and Architecture
2.92
article

Sentimental Porcelain. Meissen Porcelain and Enlightenment Sensibility in Late Eighteenth-Century Saxony

Matthew Martin
article en
1 citations

Abstract

Meissen porcelain objects representing sentimental subjects – such as scenes of familial and romantic love, and the joys of childhood – are documents of fundamental importance for understanding the penetration of Enlightenment ideas into late eighteenth-century Saxony. They speak to the reception of key Enlightenment literary works in social contexts characterised by a new elite made up of wealthy members of the bourgeoisie and liberal aristocrats united in their embrace of progressive ideas about the relationship between reason and sentiment. Embedded as they were in very specific social practices – the sociable rituals of hot beverage consumption, and cultures of viewing and conversation in the domestic interior – these porcelain objects are primary evidence for identifying and reconstructing emotional communities founded on a shared embrace of Enlightenment sensibility amongst the upper echelons of Saxon society in the last decades of the eighteenth century.

Diciottesimo SecoloVol. 9
The University of Melbourne (AU)
Openalex Percentile: Top 8%
Medieval European History and Architecture
2.92
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