Los retratos políticos de los <i>Grandes Anales de quince días</i> de Quevedo

This article examines the literary portraits of key political figures, including three Spanish kings – Philip II, Philip III, and Philip IV – and their prime ministers, the Duke of Lerma, the Duke of Uceda, and Friar Luis de Aliaga, as presented by Quevedo at the conclusion of Grandes anales de quince días . The study focuses on both aesthetic and iconographic perspectives, drawing connections between Quevedo’s literary depictions and the known painted portraits of these individuals. Many of these artworks can be viewed in the Museo del Prado, which houses a significant portion of the Royal Collection – paintings that Quevedo likely had access to. The primary objective of this article is to explore the affinities between Quevedo’s literary descriptions and the visual representations of these figures in the corresponding portraits.

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Publication Details

Journal
Annali di Ca’ Foscari Serie occidentale
Published
2024-09-27
DOI
https://doi.org/10.30687/annoc/2499-1562/2024/12/007
Primary Topic
Historical Art and Architecture Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Los retratos políticos de los Grandes Anales de quince días de Quevedo

Manuel Ángel Candelas Colodrón
Annali di Ca’ Foscari Serie occidentale
Historical Art and Architecture Studies
article

Los retratos políticos de los Grandes Anales de quince días de Quevedo

Manuel Ángel Candelas Colodrón
article en

Abstract

This article examines the literary portraits of key political figures, including three Spanish kings – Philip II, Philip III, and Philip IV – and their prime ministers, the Duke of Lerma, the Duke of Uceda, and Friar Luis de Aliaga, as presented by Quevedo at the conclusion of Grandes anales de quince días . The study focuses on both aesthetic and iconographic perspectives, drawing connections between Quevedo’s literary depictions and the known painted portraits of these individuals. Many of these artworks can be viewed in the Museo del Prado, which houses a significant portion of the Royal Collection – paintings that Quevedo likely had access to. The primary objective of this article is to explore the affinities between Quevedo’s literary descriptions and the visual representations of these figures in the corresponding portraits.

Annali di Ca’ Foscari Serie occidentale(58)
Universidade de Vigo (ES)
Openalex Percentile: Top 75%
Historical Art and Architecture Studies
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