Theorizing the Chair: History, Culture, and Design

In Arthur Danto’s The Seat of the Soul: Three Chairs, the chair is a source of power and authority. This paper explores the aesthetic importance of chairs and their designers and determines why people from various cultures create different designs that all perform the same function: seating. Here, the chair is examined as an artwork and design phenomenon from historical, cultural, stylistic, and aesthetic perspectives. Data were gathered through a comprehensive literature review, reports, archival materials, and museum visits. Descriptive, historical, and analytical methods were used to explore the religious, symbolic, spiritual, artistic, competitive, and academic legacies of the chair. Despite the similarity in function, the chair is more important than a sofa, bed, or bench. It displays one’s status, education, knowledge, and artistic taste. However, practicality, low-cost materials, and money have trumped aesthetics in recent years. The findings may help young chair designers highlight their competitiveness and inventiveness.