History Reincarnate: George Eliot and Qurratulain Hyder

Abstract: This essay sets aside George Eliot's preoccupation with incarnation, a principle extrapolated from the New Testament, and instead identifies in her work a parallel discourse of reincarnation: the reentry into flesh, the successive rebirth and reembodiment of a preexisting spiritual entity in new forms. Drawing on Victorian understandings of Buddhism and Hinduism, I trace Eliot's interest in forms of ensouled embodiment that take shape in multiple iterations over time. Inspired by calls to reimagine the geographical and chronological boundaries of Victorian studies, I additionally pair Middlemarch (1871–72) with Qurratulain Hyder's River of Fire (English trans. 1998), a twentieth-century Urdu novel which makes reincarnation a central narrative principle. In doing so, I examine how both authors employ a reincarnational aesthetic to theorize the place of the individual in history and even the nature of history itself.

Authors

Publication Details

Journal
Victorian Studies
Published
2024-10-02
DOI
https://doi.org/10.2979/vic.00125
Citations
1
Primary Topic
Islamic Studies and History
Type
article
Field-Weighted Citation Impact
2.23
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article

History Reincarnate: George Eliot and Qurratulain Hyder

Maha Jafri
1 citations
Victorian Studies
Islamic Studies and History
2.23
article

History Reincarnate: George Eliot and Qurratulain Hyder

Maha Jafri
article en
1 citations

Abstract

Abstract: This essay sets aside George Eliot's preoccupation with incarnation, a principle extrapolated from the New Testament, and instead identifies in her work a parallel discourse of reincarnation: the reentry into flesh, the successive rebirth and reembodiment of a preexisting spiritual entity in new forms. Drawing on Victorian understandings of Buddhism and Hinduism, I trace Eliot's interest in forms of ensouled embodiment that take shape in multiple iterations over time. Inspired by calls to reimagine the geographical and chronological boundaries of Victorian studies, I additionally pair Middlemarch (1871–72) with Qurratulain Hyder's River of Fire (English trans. 1998), a twentieth-century Urdu novel which makes reincarnation a central narrative principle. In doing so, I examine how both authors employ a reincarnational aesthetic to theorize the place of the individual in history and even the nature of history itself.

Victorian StudiesVol. 66(2)
Openalex Percentile: Top 10%
Islamic Studies and History
2.23
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