Spatial Behaviors and Mental Representations: Interactions of artistic and scientific perspectives

Contemporary artistic research has successively integrated preoccupations with the experimentation of space and mobility, as well as collective interactions between participants in situations of proximity or remoteness. In the scientific field, an important part of spatial cognition study has recently turned towards understanding the collective aspects of spatial cognition, integrating an understanding of the acquisition of spatial knowledge and studying cognitive maps, as well as research on navigation and individual and collective memorization. In both cases, spatial behaviors and mental representations are fundamental focuses. Using CORES research combining artistic and scientific perspectives as an example, we clarify specific differences within a framework common to the arts and sciences. This article will develop three points: 1) Artistic and scientific research contexts, 2) Interactions between artistic and scientific perspectives, 3) Proposal of a 7-step joint arts and sciences research cycle. In so doing, this study aims to counter the divide between the artistic and scientific fields by demonstrating a shared creative dynamic.

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Publication Details

Journal
EAI Endorsed Transactions on Creative Technologies
Published
2024-10-02
DOI
https://doi.org/10.4108/eetct.5133
Primary Topic
Spatial Cognition and Navigation
Type
article
Field-Weighted Citation Impact
0.00

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article

Spatial Behaviors and Mental Representations: Interactions of artistic and scientific perspectives

Bernard Guelton, Teriitutea Quesnot, Xavier Boissarie, Aurélie Herbet
EAI Endorsed Transactions on Creative Technologies
Spatial Cognition and Navigation
article

Spatial Behaviors and Mental Representations: Interactions of artistic and scientific perspectives

Bernard Guelton, Teriitutea Quesnot, Xavier Boissarie, Aurélie Herbet
article en

Abstract

Contemporary artistic research has successively integrated preoccupations with the experimentation of space and mobility, as well as collective interactions between participants in situations of proximity or remoteness. In the scientific field, an important part of spatial cognition study has recently turned towards understanding the collective aspects of spatial cognition, integrating an understanding of the acquisition of spatial knowledge and studying cognitive maps, as well as research on navigation and individual and collective memorization. In both cases, spatial behaviors and mental representations are fundamental focuses. Using CORES research combining artistic and scientific perspectives as an example, we clarify specific differences within a framework common to the arts and sciences. This article will develop three points: 1) Artistic and scientific research contexts, 2) Interactions between artistic and scientific perspectives, 3) Proposal of a 7-step joint arts and sciences research cycle. In so doing, this study aims to counter the divide between the artistic and scientific fields by demonstrating a shared creative dynamic.

EAI Endorsed Transactions on Creative TechnologiesVol. 10
Université de Bretagne Occidentale (FR), Institut Universitaire de France (FR), Université du littoral côte d'opale (FR), Institut Universitaire Européen de la Mer (FR), The International Lignin Institute (CH), Littoral, Environnement, Télédétection, Géomatique (FR), Institut ACTE - Arts Créations Théories Esthétiques, Université Paris 1 Panthéon-Sorbonne (FR)
Agence Nationale de la Recherche, Association Neurofibromatoses et Recklinghause
Quality Education
Openalex Percentile: Top 83%
Spatial Cognition and Navigation
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