Recontextualizing Landscapes and Mapping Identity in Taiwanese New Cinema: Decolonizing the Screen

This study explores the role of contemporary Taiwanese cinema in reclaiming and recreating cultural identity within a postcolonial context. Taiwanese film, shaped by the impact of colonialism throughout its history, has evolved into a crucial platform for the process of decolonization and cultural defiance. The study highlights the process of recontextualization of local landscapes and the revival of dialects, illustrating how these factors demonstrate resilience and identity. This analysis examines how Taiwanese filmmakers actively resist the homogenizing impacts of globalization and navigate the enduring consequences of colonialism. The resurgence of regional dialects in movies is particularly remarkable since it signifies an effort to preserve the linguistic variety of the Taiwan region and a deliberate response to previous language suppression. This study examines the role of cinema in the ongoing process of cultural decolonization in Taiwan, asserting that contemporary Taiwanese cinema serves as a potent instrument for cultural affirmation. It provides alternative narratives that highlight the distinctive historical and cultural experiences of Taiwan.

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Publication Details

Journal
International Journal of Academic Research in Business and Social Sciences
Published
2024-09-30
DOI
https://doi.org/10.6007/ijarbss/v14-i9/22831
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
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article

Recontextualizing Landscapes and Mapping Identity in Taiwanese New Cinema: Decolonizing the Screen

Ayu Haswida Abu Bakar, Fan Yang
International Journal of Academic Research in Business and Social Sciences
Asian Culture and Media Studies
article

Recontextualizing Landscapes and Mapping Identity in Taiwanese New Cinema: Decolonizing the Screen

Ayu Haswida Abu Bakar, Fan Yang
article en

Abstract

This study explores the role of contemporary Taiwanese cinema in reclaiming and recreating cultural identity within a postcolonial context. Taiwanese film, shaped by the impact of colonialism throughout its history, has evolved into a crucial platform for the process of decolonization and cultural defiance. The study highlights the process of recontextualization of local landscapes and the revival of dialects, illustrating how these factors demonstrate resilience and identity. This analysis examines how Taiwanese filmmakers actively resist the homogenizing impacts of globalization and navigate the enduring consequences of colonialism. The resurgence of regional dialects in movies is particularly remarkable since it signifies an effort to preserve the linguistic variety of the Taiwan region and a deliberate response to previous language suppression. This study examines the role of cinema in the ongoing process of cultural decolonization in Taiwan, asserting that contemporary Taiwanese cinema serves as a potent instrument for cultural affirmation. It provides alternative narratives that highlight the distinctive historical and cultural experiences of Taiwan.

International Journal of Academic Research in Business and Social SciencesVol. 14(9)
Universiti Teknologi MARA System (MY), Universiti Teknologi MARA (MY)
Reduced inequalities
Openalex Percentile: Top 73%
Asian Culture and Media Studies
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Recontextualizing Landscapes and Mapping Identity in Taiwanese New Cinema: Decolonizing the Screen — Ayu Haswida Abu Bakar, Fan Yang · International Journal of Academic Research in Business and Social Sciences (2024) | TGRS Research Map | TGRS