Nasir Shehzad as a Preface Writer

Nasir Shehzad is a notable literary figure of the 20th century. He wrote down many books: “Kon Dais Gyo,” “Pukarti Rahee Bansi, andd "Ban Bas." He not only wrote the prefaces of his own books but also the books of his contemporaries. Nasir Shehzad creates a unique pleasure with his style of narration in the prefaces. The book and the author are introduced by him in a good manner. In these prefaces, a glimpse of his literature, ideas, and personality is also seen. He has written prefaces only on poetry genres. Along with songs, ghazals, and poems in these poetry genres, he has shed light on the tradition and narration of coffee and couplets in the form of a preface. The main purpose of the preface is to make the contents of the book clear in such a way that the person interested in the subject is drawn to read it because it makes the outline of the book clear to the reader, which makes the reader interested in the study. The prefaces of Nasir Shahzad meet this standard to a great extent. In this article, effort is made to analyze his preface writing in detail. Reference: 1. Ibadat Barelvi, Dr., Compiler, Qadar Abdul Haq (Extended Edition), Lahore: Urdu Center, 1964, p. 862. All Ahmad Surur, Professor, What is criticism, Karachi: Urdu Academy Sindh, Sun Darhad, p. 7.1963. Nasir Shehzad, Bin Bas, p. 7. 364. Ahmad Umar Sharif, Gita Geet, Preface (Lyric Setting of Gita Geet) by Nasir Shahzad, Karachi: Pakistan Writers Guild Sindh,2006, p.:175. Also, p. 2.116. Also, p. 157. Tahir Saeed Haroon, Dr., Megh Malhar, Foreword: Megh Malhar and her First Phuwar by Nasir Shahzad, Lahore: Sang-e-Mail Publi.cations, 700 2, p. 58. Jameel Azimabadi, Doha Sansar, Foreword: Gyan Darpan by Nasir Shahzad Contents: Doha Sansar, Karachi: Rashid Publications,2004, pp. 1-209. Shaukat Hashmi, Hal Dhamaal, Foreword: Nasir Shehzad, Lahore: Al-Hamd Publications, 1995, p. 510. Afzal Hussain Geelani, Syed, Kafi A Yaar Da Vihra, Preface: Punjabi Kafi An Additional Case by Nasir Shahzad, Okara:Sound-e-Hadi Sheikho Sharif Institute, 2009, pp. 27-811. Javed Batsh, Dr., Dreams of Waking Eyes, Preface: Musafat-e-Shib-Tab by Nasir Shehzad, Sahiwal: Tamehol Publications, 2002, p. 1612. Afzal Hussain Geelani, Syed, Kafi A Yar Da Vehra, p. 2813. Ahmad Umar Sharif, Gita Geet, p. 1614. Jameel Azeemabadi, Doha Sansar, Preface: Gyan Darpan by Nasir Shahzad, including Doha Sansar, p. 2015. Abid Ali Abid, Syed, Style, Lahore: Sangmail Publications, 2001, p. 6016. All Ahmad Suroor, Professor, Visions and Ideas (Prose Style), New Delhi: New Delhi Maktaba Jamia Limited, 1973, p. 4917. Moinuddin Aqeel, Dr., Pakistani Ghazal, Formative Period Attitudes and Trends, Karachi: Abul Kalam Azad Research Institute, 1997, p. 10718. Tahir Saeed Haroon, Dr., Megh Malhar, p. 1219. Nasir Shehzad, Who Des Gayo (Backflap) by Joginder Pal20. Ahmad Umar Sharif, Gita Geet, p. 1621. Javed Batish, Dr., Dreams of Waking Eyes, p. 2022. Afzal Hussain Geelani, Syed, Kafi A Yar Da Vihra, p. 2723. Ibid, p. 2124. Ibid, p. 2525. Javed Batish, Dr., Dreams of Waking Eyes, p. 13.4