Reclaiming My Womb

In Children of Blood and Bone and The Hunted, Tomi Adeyemi and L.A. Banks reclaim the isolated Black womb and reattach it to the human to which it belongs, thus humanizing Black women. This humanization of Black women combats the dominant narrative that seeks to reduce Black female identities to what their bodies can produce for the Western patriarchy world founded on capitalist exploitation. Their wombs are a counternarrative to the tired trope of the almighty phallus that disfigures phallic power into a deadly weapon, only suitable for destruction. Banks’ and Adeyemi’s placement of symbolic wombs highlights the power of wombs as a space where spirit and body meet to upend oppressive world orders rooted in spiritual darkness. Here, even the phallus achieves greater power. The womb exposes the phallus’s ability to invest life and further incubates that life to create revolution. Together the phallus and womb work to display the necessary fetation of rebellion, resistance, and liberation. Banks and Adeyemi join the scores of Black feminist writers who insist on the unity of Black masculinities and Black feminism to ensure the futurity of Black liberation.