Mosaic Technology in the Armenian Chapel Birds Mosaic, Jerusalem: Characterizing the Polychrome Hidden Sinopia

Since the Hellenistic period, preparatory drawings known as sinopiae were employed as guidelines for mosaicists in creating mosaics. The sinopiae served as the basis for style and content, facilitating the placement of colored tesserae in the supporting mortar. The technology of the mosaic and pigments used reflect the capacity of the mosaic workshop and its master. This work explores a polychrome sinopia that was found under a Byzantine mosaic of an Armenian Chapel in Jerusalem, by a multi-analytical characterization of mineralogical and chemical properties. The composition of the pigments in the black and red areas of the sinopia include carbon black and red ochre, respectively, utilized in the fresco technique. Since colored tesserae are placed in wet mortar, it can be deduced that mosaicists worked together with painters during the executionary steps. This has corresponding implications for historical and artistic specializations at mosaic workshops, with deeper understanding of mosaic production processes. This research also highlights the importance of studying sinopiae under floor mosaics, which is a source of information on the pigments, paintings techniques, and the people who executed the work, all embedded in mortar which is well protected below the stone tesserae.

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Publication Details

Journal
Heritage
Published
2024-09-30
DOI
https://doi.org/10.3390/heritage7100258
Citations
1
Primary Topic
Archaeology and Historical Studies
Type
article
Field-Weighted Citation Impact
2.92
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article

Mosaic Technology in the Armenian Chapel Birds Mosaic, Jerusalem: Characterizing the Polychrome Hidden Sinopia

Giulia Ricci, Jacques Neguer, Gilberto Artioli, Yotam Asscher et al.
1 citations
Heritage
Archaeology and Historical Studies
2.92
article

Mosaic Technology in the Armenian Chapel Birds Mosaic, Jerusalem: Characterizing the Polychrome Hidden Sinopia

Giulia Ricci, Jacques Neguer, Gilberto Artioli, Yotam Asscher, Mark Avrahami, Abraham Leviant, Michela Reato, Ilana Peters
article en
1 citations

Abstract

Since the Hellenistic period, preparatory drawings known as sinopiae were employed as guidelines for mosaicists in creating mosaics. The sinopiae served as the basis for style and content, facilitating the placement of colored tesserae in the supporting mortar. The technology of the mosaic and pigments used reflect the capacity of the mosaic workshop and its master. This work explores a polychrome sinopia that was found under a Byzantine mosaic of an Armenian Chapel in Jerusalem, by a multi-analytical characterization of mineralogical and chemical properties. The composition of the pigments in the black and red areas of the sinopia include carbon black and red ochre, respectively, utilized in the fresco technique. Since colored tesserae are placed in wet mortar, it can be deduced that mosaicists worked together with painters during the executionary steps. This has corresponding implications for historical and artistic specializations at mosaic workshops, with deeper understanding of mosaic production processes. This research also highlights the importance of studying sinopiae under floor mosaics, which is a source of information on the pigments, paintings techniques, and the people who executed the work, all embedded in mortar which is well protected below the stone tesserae.

HeritageVol. 7(10)
University of Padua (IT), Hebrew University of Jerusalem (IL), Israel Antiquities Authority (IL), University of Haifa (IL)
Openalex Percentile: Top 8%
Archaeology and Historical Studies
2.92
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Mosaic Technology in the Armenian Chapel Birds Mosaic, Jerusalem: Characterizing the Polychrome Hidden Sinopia — Giulia Ricci, Jacques Neguer, et al. · Heritage (2024) | TGRS Research Map | TGRS