Notas sobre escultura e Notas sobre escultura, parte 2

The articles “Notes on Sculpture” and “Notes on Sculpture, Part 2” by Robert Morris mark a milestone in the history of sculpture, challenging traditional notions of form and function. The emphasis on basic geometric elements and the understanding of sculpture as a spatial event, rather than a static object, transformed artistic discourse. By proposing an approach centered on the viewer’s experience and the work’s interaction with the environment, Morris paved the way for Minimalism. Through his reflections, the artist significantly expanded the possibilities of sculpture, influencing contemporary art production and criticism in a decisive manner.

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Publication Details

Journal
ARS (São Paulo)
Published
2024-08-14
DOI
https://doi.org/10.11606/issn.2178-0447.ars.2024.227959
Primary Topic
Cultural, Media, and Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Notas sobre escultura e Notas sobre escultura, parte 2

Robert E. Morris, Renato Rodrigues da Silva
ARS (São Paulo)
Cultural, Media, and Literary Studies
article

Notas sobre escultura e Notas sobre escultura, parte 2

Robert E. Morris, Renato Rodrigues da Silva
article en

Abstract

The articles “Notes on Sculpture” and “Notes on Sculpture, Part 2” by Robert Morris mark a milestone in the history of sculpture, challenging traditional notions of form and function. The emphasis on basic geometric elements and the understanding of sculpture as a spatial event, rather than a static object, transformed artistic discourse. By proposing an approach centered on the viewer’s experience and the work’s interaction with the environment, Morris paved the way for Minimalism. Through his reflections, the artist significantly expanded the possibilities of sculpture, influencing contemporary art production and criticism in a decisive manner.

ARS (São Paulo)Vol. 22
Universidade Federal do Estado do Rio de Janeiro (BR)
Openalex Percentile: Top 73%
Cultural, Media, and Literary Studies
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