Japońska fotografia emancypacyjna, czyli kilka słów o twórczości Nagashimy Yurie

The article discusses the issue of depicting the female body in Japanese photography based on the work of Nagashima Yurie. The artist began her career in the nineties of the twentieth century, creating nude self-portraits. In 1996, a well-known Japanese photo critic called her a promoter of the so-called “girl's photography" (jap. onna no ko shashin). However, the term had negative connotations and disregarded the female artists who were referred to by it. Nagashima took up a polemic not only with the academic community, but also with the accepted norms of depicting in photographs. In her work, Nagashima drew attention to the problem of sexualization of the female body in Japanese photography. With the use of parody, she began a polemic with the majority of artists who used women as the main motif in their works. Through her work, she also initiated a public debate on the role of women using audiovisual arts in their activities.

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Publication Details

Journal
Kultura i Społeczeństwo
Published
2024-09-19
DOI
https://doi.org/10.35757/kis.2024.68.3.5
Primary Topic
Polish Historical and Cultural Studies
Type
article
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article

Japońska fotografia emancypacyjna, czyli kilka słów o twórczości Nagashimy Yurie

Emilia Wajs
Kultura i Społeczeństwo
Polish Historical and Cultural Studies
article

Japońska fotografia emancypacyjna, czyli kilka słów o twórczości Nagashimy Yurie

Emilia Wajs
article en

Abstract

The article discusses the issue of depicting the female body in Japanese photography based on the work of Nagashima Yurie. The artist began her career in the nineties of the twentieth century, creating nude self-portraits. In 1996, a well-known Japanese photo critic called her a promoter of the so-called “girl's photography" (jap. onna no ko shashin). However, the term had negative connotations and disregarded the female artists who were referred to by it. Nagashima took up a polemic not only with the academic community, but also with the accepted norms of depicting in photographs. In her work, Nagashima drew attention to the problem of sexualization of the female body in Japanese photography. With the use of parody, she began a polemic with the majority of artists who used women as the main motif in their works. Through her work, she also initiated a public debate on the role of women using audiovisual arts in their activities.

Kultura i SpołeczeństwoVol. 68(3)
Nicolaus Copernicus University (PL)
Openalex Percentile: Top 74%
Polish Historical and Cultural Studies
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Japońska fotografia emancypacyjna, czyli kilka słów o twórczości Nagashimy Yurie — Emilia Wajs · Kultura i Społeczeństwo (2024) | TGRS Research Map | TGRS