The Artistic Representation of Trauma in Arabic Dystopian Literature

Dystopian literature authored by Arab novelists serves as a reflective medium that elucidates the traumatic experiences endured by individuals in the Arab world amidst on-going crises and conflicts. This article employs trauma theory to explore the complexities of establishing a dystopian text showing how trauma manifests within the unconscious layers of the human psyche, thus leaving an indelible scar that persists over time. The article argues that the events associated with such traumatic experiences emerge into the realm of reality through literary texts, a process that not only allows for the articulation of hidden traumas but also provides the writer with a means to alleviate personal dilemmas through the act of writing. By briefly analysing a selection of prominent and translated Arabic dystopian works, this article examines how certain narratives encapsulate experiences of trauma resulting from oppression and societal upheaval and explores how these texts present harsh realities while engaging readers and fostering resistance against personal adversities. The depicting of dystopian themes and characters in these texts enables readers to understand genuine traumas that bridge the gap between imaginative constructs and lived realities. In conclusion, the article asserts that Arabic dystopian literature acts as a mirror that reflects the injustices and oppression faced by Arabs under authoritarian regimes and the legacies of former colonial powers.

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Publication Details

Journal
Evolutionary Studies in Imaginative Culture
Published
2024-09-28
DOI
https://doi.org/10.70082/esiculture.vi.1411
Citations
1
Primary Topic
Literature, Magical Realism, García Márquez
Type
article
Field-Weighted Citation Impact
3.91
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article

The Artistic Representation of Trauma in Arabic Dystopian Literature

Malek Jamal Zuraikat, Haider Salah Tawfic Aloose
1 citations
Evolutionary Studies in Imaginative Culture
Literature, Magical Realism, García Márquez
3.91
article

The Artistic Representation of Trauma in Arabic Dystopian Literature

Malek Jamal Zuraikat, Haider Salah Tawfic Aloose
article en
1 citations

Abstract

Dystopian literature authored by Arab novelists serves as a reflective medium that elucidates the traumatic experiences endured by individuals in the Arab world amidst on-going crises and conflicts. This article employs trauma theory to explore the complexities of establishing a dystopian text showing how trauma manifests within the unconscious layers of the human psyche, thus leaving an indelible scar that persists over time. The article argues that the events associated with such traumatic experiences emerge into the realm of reality through literary texts, a process that not only allows for the articulation of hidden traumas but also provides the writer with a means to alleviate personal dilemmas through the act of writing. By briefly analysing a selection of prominent and translated Arabic dystopian works, this article examines how certain narratives encapsulate experiences of trauma resulting from oppression and societal upheaval and explores how these texts present harsh realities while engaging readers and fostering resistance against personal adversities. The depicting of dystopian themes and characters in these texts enables readers to understand genuine traumas that bridge the gap between imaginative constructs and lived realities. In conclusion, the article asserts that Arabic dystopian literature acts as a mirror that reflects the injustices and oppression faced by Arabs under authoritarian regimes and the legacies of former colonial powers.

Evolutionary Studies in Imaginative Culture
University of Jordan (JO), Yarmouk University (JO)
Openalex Percentile: Top 6%
Literature, Magical Realism, García Márquez
3.91
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