Designed Segregation: Racial Space and Social Reform in San Juan’s Casa de Beneficencia

In the 1840s, San Juan, Puerto Rico witnessed the construction of an institutional building dedicated to “beneficencia” (social welfare)—the Casa de Beneficencia. This facility sheltered a diverse population, including orphaned children, women, the mentally ill, and the unhoused. An early plan of the architectural complex by Spanish engineer Santiago Cortijo reveals a design emphasizing bilateral symmetry, clear spatial organization, and functionality for housing residents, shaping their daily routines and assigning them work tasks. Notably, Cortijo’s plan divided wards not only by gender and age but also by race, with separate spaces designated for “blancas/os” (whites) and “gentes de color” (people of color). This article examines the social delineations of Cortijo’s plan and explores the implications of a building that functioned as a nineteenth-century institution dedicated to reformist ideas of social welfare within San Juan’s colonial context, paying close attention to its embedded racial and gendered order.

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Publication Details

Journal
Arts
Published
2024-09-26
DOI
https://doi.org/10.3390/arts13050147
Primary Topic
Visual Culture and Art Theory
Type
article
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article

Designed Segregation: Racial Space and Social Reform in San Juan’s Casa de Beneficencia

Paul Niell
Arts
Visual Culture and Art Theory
article

Designed Segregation: Racial Space and Social Reform in San Juan’s Casa de Beneficencia

Paul Niell
article en

Abstract

In the 1840s, San Juan, Puerto Rico witnessed the construction of an institutional building dedicated to “beneficencia” (social welfare)—the Casa de Beneficencia. This facility sheltered a diverse population, including orphaned children, women, the mentally ill, and the unhoused. An early plan of the architectural complex by Spanish engineer Santiago Cortijo reveals a design emphasizing bilateral symmetry, clear spatial organization, and functionality for housing residents, shaping their daily routines and assigning them work tasks. Notably, Cortijo’s plan divided wards not only by gender and age but also by race, with separate spaces designated for “blancas/os” (whites) and “gentes de color” (people of color). This article examines the social delineations of Cortijo’s plan and explores the implications of a building that functioned as a nineteenth-century institution dedicated to reformist ideas of social welfare within San Juan’s colonial context, paying close attention to its embedded racial and gendered order.

ArtsVol. 13(5)
Florida State University (US)
Openalex Percentile: Top 76%
Visual Culture and Art Theory
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Designed Segregation: Racial Space and Social Reform in San Juan’s Casa de Beneficencia — Paul Niell · Arts (2024) | TGRS Research Map | TGRS