Philadelphia Chinatown’s cultural image construction since the 1960s

Philadelphia Chinatown, an immigration hub with diverse cultures, is a vibrant ethnic enclave in Pennsylvania. It has a long history of being secluded due to national sentiments as well as persecution and fighting against urban construction projects. Through the analysis of Philadelphia Chinatown’s social structure and iconic features, this paper analyzes the Chinatown society’s cultural image construction since the 1960s, and further discusses its changing cultural patterns in the American society. It is argued in this paper that: Philadelphia Chinatown, mainly comprised of poor peasants and wealthy merchants in an early stage, is based on commerce; its cultural image was constructed by Orientalism, stemming from both the internal organizations of the community and external society, and took roots on its commercial basis; the Chinese traditions in the Chinatown society are comparatively static, while, on the other hand, the community’s culture is infiltrated by American cultures, making connections with indigenous societies.

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Publication Details

Journal
Scholarly review .
Published
2024-09-15
DOI
https://doi.org/10.70121/001c.123682
Primary Topic
Migration, Ethnicity, and Economy
Type
article
Field-Weighted Citation Impact
0.00
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article

Philadelphia Chinatown’s cultural image construction since the 1960s

Qizheng Ye
Scholarly review .
Migration, Ethnicity, and Economy
article

Philadelphia Chinatown’s cultural image construction since the 1960s

Qizheng Ye
article en

Abstract

Philadelphia Chinatown, an immigration hub with diverse cultures, is a vibrant ethnic enclave in Pennsylvania. It has a long history of being secluded due to national sentiments as well as persecution and fighting against urban construction projects. Through the analysis of Philadelphia Chinatown’s social structure and iconic features, this paper analyzes the Chinatown society’s cultural image construction since the 1960s, and further discusses its changing cultural patterns in the American society. It is argued in this paper that: Philadelphia Chinatown, mainly comprised of poor peasants and wealthy merchants in an early stage, is based on commerce; its cultural image was constructed by Orientalism, stemming from both the internal organizations of the community and external society, and took roots on its commercial basis; the Chinese traditions in the Chinatown society are comparatively static, while, on the other hand, the community’s culture is infiltrated by American cultures, making connections with indigenous societies.

Scholarly review .Vol. Fall 2024(10)
Sustainable cities and communities
Openalex Percentile: Top 74%
Migration, Ethnicity, and Economy
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