Reappropriating Cultural Memory of the Preston Lock-Out: Can Animation Be Used to Refocus and Reposition Historical Events Using Historical Visual Archives?

Inspired by a collection of drawings in the Lancashire Archives about the Preston Lock-out of 1853–1854, I embarked on the creation of an animated film utilising the artwork. The objective was to contextualize the Irish women featured within the narrative and provide them with a backstory. Through analysis of these drawings – something that was absolutely necessary for making the film – I gained a deeper understanding of the social unrest and intricate societal dynamics prevailing in Preston during this period. By conveying this knowledge through the medium of moving images, I sought to share new insights into the lives of these women with a broader audience. This article was published open access under a CC BY-ND licence: https://creativecommons.org/licenses/by-nd/4.0/ .

Authors

Publication Details

Journal
Transactions of the Historic Society of Lancashire and Cheshire
Published
2024-09-16
DOI
https://doi.org/10.3828/transactions.173.13
Primary Topic
Digital Storytelling and Education
Type
article
Field-Weighted Citation Impact
0.00
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article

Reappropriating Cultural Memory of the Preston Lock-Out: Can Animation Be Used to Refocus and Reposition Historical Events Using Historical Visual Archives?

Sarah Ann Kennedy-Parr
Transactions of the Historic Society of Lancashire and Cheshire
Digital Storytelling and Education
article

Reappropriating Cultural Memory of the Preston Lock-Out: Can Animation Be Used to Refocus and Reposition Historical Events Using Historical Visual Archives?

Sarah Ann Kennedy-Parr
article en

Abstract

Inspired by a collection of drawings in the Lancashire Archives about the Preston Lock-out of 1853–1854, I embarked on the creation of an animated film utilising the artwork. The objective was to contextualize the Irish women featured within the narrative and provide them with a backstory. Through analysis of these drawings – something that was absolutely necessary for making the film – I gained a deeper understanding of the social unrest and intricate societal dynamics prevailing in Preston during this period. By conveying this knowledge through the medium of moving images, I sought to share new insights into the lives of these women with a broader audience. This article was published open access under a CC BY-ND licence: https://creativecommons.org/licenses/by-nd/4.0/ .

Transactions of the Historic Society of Lancashire and CheshireVol. 173
Openalex Percentile: Top 75%
Digital Storytelling and Education
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