The Preston Strike in Literature: Dickens, Gaskell and Bamford

This article maps the fictional responses of Charles Dickens, Elizabeth Gaskell and Samuel Bamford to the Preston dispute, arguing that they were based more on cultural sources than reportage. It includes the first scholarly analysis of Bamford’s contribution, three linked dialogues published in Cassell’s Illustrated Family Paper in 1854. This article also examines the relationship of Victorian fiction and the reading public to unrest and northern working-class life, demonstrating how ideology trumped the facts. Dickens’s priority was well crafted fiction. Gaskell attempted to base her fiction on reality, but only partly extricated herself from the assumptions of the period. Bamford, living in London at the time, was bound by his need to appeal to his middle-class audience, because of his precarious position and physical distance. He projected personal experience from an earlier period onto the Preston dispute, reinforcing the assumption that it was a strike rather than a lock-out. He knew no more of Preston than Dickens. It would take the cotton famine to shift prejudices against the northern working classes. This article was published open access under a CC BY-NC-ND BY licence: https://creativecommons.org/licenses/by-nc-nd/4.0 .

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Publication Details

Journal
Transactions of the Historic Society of Lancashire and Cheshire
Published
2024-09-16
DOI
https://doi.org/10.3828/transactions.173.10
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Preston Strike in Literature: Dickens, Gaskell and Bamford

Robert W. Poole
Transactions of the Historic Society of Lancashire and Cheshire
Postcolonial and Cultural Literary Studies
article

The Preston Strike in Literature: Dickens, Gaskell and Bamford

Robert W. Poole
article en

Abstract

This article maps the fictional responses of Charles Dickens, Elizabeth Gaskell and Samuel Bamford to the Preston dispute, arguing that they were based more on cultural sources than reportage. It includes the first scholarly analysis of Bamford’s contribution, three linked dialogues published in Cassell’s Illustrated Family Paper in 1854. This article also examines the relationship of Victorian fiction and the reading public to unrest and northern working-class life, demonstrating how ideology trumped the facts. Dickens’s priority was well crafted fiction. Gaskell attempted to base her fiction on reality, but only partly extricated herself from the assumptions of the period. Bamford, living in London at the time, was bound by his need to appeal to his middle-class audience, because of his precarious position and physical distance. He projected personal experience from an earlier period onto the Preston dispute, reinforcing the assumption that it was a strike rather than a lock-out. He knew no more of Preston than Dickens. It would take the cotton famine to shift prejudices against the northern working classes. This article was published open access under a CC BY-NC-ND BY licence: https://creativecommons.org/licenses/by-nc-nd/4.0 .

Transactions of the Historic Society of Lancashire and CheshireVol. 173
Openalex Percentile: Top 76%
Postcolonial and Cultural Literary Studies
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