“The Confrontation”: James Baldwin’s Tour for CORE, May 1963

James Baldwin Review is delighted to present a special section dedicated to chronicling and demonstrating Baldwin’s direct involvement in the civil rights movement. On tours for the Congress of Racial Equality (CORE) in 1962–63, Baldwin spoke at dozens of forums. We have transcribed three of his major appearances on May 7, 1963: a speech before a packed gathering of thousands of students at the University of California at Berkeley; a radio interview with John Leonard and Elsa Knight Thompson; and an evening speech before the sold-out San Francisco Masonic Temple. Ed Pavlić provides an introduction tracing some of Baldwin’s work for CORE in new detail. These details suggest that Baldwin’s activism enriched his life and work in contrast to the prevailing idea that these engagements threatened and diminished his art.

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Publication Details

Journal
James Baldwin Review
Published
2024-09-23
DOI
https://doi.org/10.7227/jbr.10.4
Primary Topic
Canadian Identity and History
Type
article
Field-Weighted Citation Impact
0.00
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article

“The Confrontation”: James Baldwin’s Tour for CORE, May 1963

Ed Pavlić
James Baldwin Review
Canadian Identity and History
article

“The Confrontation”: James Baldwin’s Tour for CORE, May 1963

Ed Pavlić
article en

Abstract

James Baldwin Review is delighted to present a special section dedicated to chronicling and demonstrating Baldwin’s direct involvement in the civil rights movement. On tours for the Congress of Racial Equality (CORE) in 1962–63, Baldwin spoke at dozens of forums. We have transcribed three of his major appearances on May 7, 1963: a speech before a packed gathering of thousands of students at the University of California at Berkeley; a radio interview with John Leonard and Elsa Knight Thompson; and an evening speech before the sold-out San Francisco Masonic Temple. Ed Pavlić provides an introduction tracing some of Baldwin’s work for CORE in new detail. These details suggest that Baldwin’s activism enriched his life and work in contrast to the prevailing idea that these engagements threatened and diminished his art.

James Baldwin ReviewVol. 10(1)
Openalex Percentile: Top 75%
Canadian Identity and History
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