Translating le vrai americain: Multilingualism in Henry James’s The Ambassadors and James Baldwin’s Giovanni’s Room

Drawing upon work from translation studies that posits the precariousness of living between languages, this article explores how the French–English bilingualism in Henry James’s The Ambassadors (1909) and James Baldwin’s Giovanni’s Room (1956) foregrounds the identity fissures that arise in their American protagonists when they arrive in Europe. In both novels, language plays a key role in mining the inner worlds of protagonists preoccupied with lives they fear they haven’t lived; these preoccupations intersect with race, nationality, sexuality, and class. Although other scholars have previously used these four identity markers as entry points into exploring these novels, this article includes multilingualism in the nexus to argue that language offers a visible and textual platform through which the mediation of identity can take place.

Authors

Publication Details

Journal
James Baldwin Review
Published
2024-09-23
DOI
https://doi.org/10.7227/jbr.10.11
Primary Topic
Canadian Identity and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Translating le vrai americain: Multilingualism in Henry James’s The Ambassadors and James Baldwin’s Giovanni’s Room

Jimin Kang
James Baldwin Review
Canadian Identity and History
article

Translating le vrai americain: Multilingualism in Henry James’s The Ambassadors and James Baldwin’s Giovanni’s Room

Jimin Kang
article en

Abstract

Drawing upon work from translation studies that posits the precariousness of living between languages, this article explores how the French–English bilingualism in Henry James’s The Ambassadors (1909) and James Baldwin’s Giovanni’s Room (1956) foregrounds the identity fissures that arise in their American protagonists when they arrive in Europe. In both novels, language plays a key role in mining the inner worlds of protagonists preoccupied with lives they fear they haven’t lived; these preoccupations intersect with race, nationality, sexuality, and class. Although other scholars have previously used these four identity markers as entry points into exploring these novels, this article includes multilingualism in the nexus to argue that language offers a visible and textual platform through which the mediation of identity can take place.

James Baldwin ReviewVol. 10(1)
Openalex Percentile: Top 75%
Canadian Identity and History
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