Balys Sruoga’s Vision of the Future of the Theatre from the Nazi Concentration Camp in Stutthof

Acting).In these letters, their writer summarizes the state of the art of theatre on the background of the humanitarian catastrophe in the middle of the 20th century, and offers his prospects for theatre's evolution.The analysis of Sruoga's letters aims to determine what kind of evaluation criteria he set for the creators of the future theatre, and to compare these criteria with the theatrical language used by the director Gintaras Varnas in his performance Natanas Imintingasis (Nathan the Wise) in 2017.After examining the aesthetic and value aspects outlined by Balys Sruoga, we can discern a dialogue with his vision of the future theatre in modern Lithuanian theatre practices.We can surmise that Sruoga's longing for what he termed "dvasios viepatyst" (the lordship of spirit) is the beauty of utopia presented in the performance of Nathan the Wise as staged by Gintaras Varnas in 2017. Kopsavilkumsaj rakst aplkotas divas Baa Srogas (Balys Sruoga) vstules sievai Vandai Srogienei (Vanda Sruogien): 1944.gada 31.maij rakstt, kas vlk publicta ar nosaukumu "Tetra romantika", un 1944.gada 5. jnij raksttais "Relisms aktiermksl".Savs vstuls rakstnieks aplko tetra mkslas stvokli 20.gadsimta vidus humanitrs katastrofas laik un piedv savas perspektvas tetra attstbai.Srogas vstuu analzes mris ir noskaidrot, kdus vrtanas kritrijus vi izvirzjis nkotnes tetra veidotjiem, un saldzint via redzjumu ar idels pasaules vziju, kas rdta reisora Gintara Varnas 2017.gada iestudjum "Ntans Gudrais".Izptot Baa Srogas formultos esttikas un vrtbu aspektus, ms varam msdienu Lietuvas tetra praks saskatt dialogu ar Srogas nkot nes tetra vziju.Varam izteikt minjumu, ka via ilgas pc t, ko vi nosauca par "dvasios viepatyst" (gara/gargo dominanci), ir tas pats utopijas skaistums, kas pardts Gintara Varnas iestudtaj "Ntana Gudr" izrd 2017.gad.Vitalija Truskauskait.Balys Sruoga's Vision of the Future of the Theatre from the Nazi Concentration Camp ..