Haptic Scores: Non-Visual Ways of Experiencing Choreography

Current developments in haptic interfaces predominantly aim to achieve more 'realistic' sensations with a particular emphasis on the sense of touch, focusing on the fingertips for manipulating digital objects in VR/AR experiences. However, these haptic sensations are usually complementary to the visual stimuli due to HCI biases toward the sense of sight. This research aims to develop an approach for the development of a standalone haptic experience by transforming pre-recorded human movement into haptic feedback. Using artistic and design practice research with Teslasuit as a principal interface, this research investigates how mocap data and electrical stimulation can be used to develop haptic scores by redirecting movement traces from a moving body to another body. This approach to movement transformation presents a way in which human movement, particularly dance, can be experienced from an audience perspective beyond sight, expanding existing research on using electric stimulation for creative practices.

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Publication Details

Published
2024-09-22
DOI
https://doi.org/10.1145/3675094.3678368
Citations
1
Primary Topic
Tactile and Sensory Interactions
Type
article
Field-Weighted Citation Impact
0.34
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article

Haptic Scores: Non-Visual Ways of Experiencing Choreography

Julio Andres Escudero
1 citations
Tactile and Sensory Interactions
0.34
article

Haptic Scores: Non-Visual Ways of Experiencing Choreography

Julio Andres Escudero
article en
1 citations

Abstract

Current developments in haptic interfaces predominantly aim to achieve more 'realistic' sensations with a particular emphasis on the sense of touch, focusing on the fingertips for manipulating digital objects in VR/AR experiences. However, these haptic sensations are usually complementary to the visual stimuli due to HCI biases toward the sense of sight. This research aims to develop an approach for the development of a standalone haptic experience by transforming pre-recorded human movement into haptic feedback. Using artistic and design practice research with Teslasuit as a principal interface, this research investigates how mocap data and electrical stimulation can be used to develop haptic scores by redirecting movement traces from a moving body to another body. This approach to movement transformation presents a way in which human movement, particularly dance, can be experienced from an audience perspective beyond sight, expanding existing research on using electric stimulation for creative practices.

Coventry University (GB)
Openalex Percentile: Top 41%
Tactile and Sensory Interactions
0.34
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