Digitally mediated collaboration and participation: composing 10,427 miles and 11 hours apart

Abstract COVID-19 presented many challenges while the shift to online learning also provided unexpected opportunities for music teachers. During the pandemic, two researchers who are teacher educators undertook a composing project with music teacher education students in Scotland and Australia in response to the theme: My Life in Isolation: A World Apart or Same Difference? Turino’s (2008) theory of participatory music making will be drawn upon to analyse this collaborative online music and video creation project. What participation means as a music-maker will be discussed. The paper argues for greater attention to the affordances of digital collaborative music technology tools to build the confidence of pre-service teachers to facilitate real-world composing projects to promote participation, collaboration and social interaction.

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Publication Details

Journal
British Journal of Music Education
Published
2024-09-20
DOI
https://doi.org/10.1017/s0265051724000226
Citations
2
Primary Topic
Education and Technology Integration
Type
article
Field-Weighted Citation Impact
4.19
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article

Digitally mediated collaboration and participation: composing 10,427 miles and 11 hours apart

Pauline Black, Emily Wilson
2 citations
British Journal of Music Education
Education and Technology Integration
4.19
article

Digitally mediated collaboration and participation: composing 10,427 miles and 11 hours apart

Pauline Black, Emily Wilson
article en
2 citations

Abstract

Abstract COVID-19 presented many challenges while the shift to online learning also provided unexpected opportunities for music teachers. During the pandemic, two researchers who are teacher educators undertook a composing project with music teacher education students in Scotland and Australia in response to the theme: My Life in Isolation: A World Apart or Same Difference? Turino’s (2008) theory of participatory music making will be drawn upon to analyse this collaborative online music and video creation project. What participation means as a music-maker will be discussed. The paper argues for greater attention to the affordances of digital collaborative music technology tools to build the confidence of pre-service teachers to facilitate real-world composing projects to promote participation, collaboration and social interaction.

British Journal of Music EducationVol. 42(1)
The University of Melbourne (AU), University of Aberdeen (GB), University of the Highlands and Islands (GB)
Openalex Percentile: Top 6%
Education and Technology Integration
4.19
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