Negotiating Autonomy and Trust when Performing with an AI Musician
We report a practice-based exploration of developing and performing with an autonomous AI musician called LOERIC that improvises folk tunes in response to a human partner. We follow an artist-led methodology involving a subjective, first-person reflection on our own practice of iteratively developing LOERIC through a series of public performances. A key feature of LOERIC is the manner in which autonomy is negotiated. Prior to a performance, surrender and looseness of control are preconfigured as playing styles. During a performance, the human and LOERIC interact solely through the single parameter of musical intensity to enable the human musician to loose awareness of explicit control as part of a flowful musical experience. This separation also helps the human establish a baseline of trust in how the system might potentially behave beforehand, within which they can safely experiment and improvise when playing live.
Authors
- Juan Pablo Martinez Avila (ORCID: https://orcid.org/0000-0002-5029-8541)
- Bob L. Sturm (ORCID: https://orcid.org/0000-0003-2549-6367)
- Steve Benford (ORCID: https://orcid.org/0000-0001-8041-2520)
- Marco Amerotti (ORCID: https://orcid.org/0009-0005-7428-4434)
Institutions
- University of Nottingham (GB)
- KTH Royal Institute of Technology (SE)
Publication Details
- Published
- 2024-09-16
- DOI
- https://doi.org/10.1145/3686038.3686040
- Citations
- 5
- Primary Topic
- Human-Automation Interaction and Safety
- Type
- article
- Field-Weighted Citation Impact
- 3.22
Funders
- Engineering and Physical Sciences Research Council
- European Research Council