Greek Comedy’s Food-Related Imaginary and the Criticism of New Music

Abstract The article aims to present an analysis of lines 26–8 in Pherecr. fr. 155 K.-A., arguing that they may refer to Philoxenus of Cythera’s poetics by exploiting a simile derived from comic food-related imagery. The use of food metaphors to express literary criticism is consistent in comic drama: in particular, mentions of sophisticated dishes can either denote the self-promotion of the comedian’s art, or criticise the excess of kainotēs in other genres, such as tragedy and New Dithyramb. In Pherecrates’ fragment, Mousikē is compared to a rhaphanos , a green usually consumed in frugal meals, stuffed by Philoxenus with kampai (‘caterpillars’, but also ‘modulations’ according to the New Music’s lexicon), possibly describing the poet as an innovative chef. Parallels with other comic fragments and later accounts of Philoxenus’ fame as a glutton and cook may offer a further reading of the lines and shed new light on Greek comedy’s criticism of New Music.

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Publication Details

Journal
Greek and Roman Musical Studies
Published
2024-09-12
DOI
https://doi.org/10.1163/22129758-bja10090
Primary Topic
Classical Antiquity Studies
Type
article
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article

Greek Comedy’s Food-Related Imaginary and the Criticism of New Music

Sara Troiani
Greek and Roman Musical Studies
Classical Antiquity Studies
article

Greek Comedy’s Food-Related Imaginary and the Criticism of New Music

Sara Troiani
article en

Abstract

Abstract The article aims to present an analysis of lines 26–8 in Pherecr. fr. 155 K.-A., arguing that they may refer to Philoxenus of Cythera’s poetics by exploiting a simile derived from comic food-related imagery. The use of food metaphors to express literary criticism is consistent in comic drama: in particular, mentions of sophisticated dishes can either denote the self-promotion of the comedian’s art, or criticise the excess of kainotēs in other genres, such as tragedy and New Dithyramb. In Pherecrates’ fragment, Mousikē is compared to a rhaphanos , a green usually consumed in frugal meals, stuffed by Philoxenus with kampai (‘caterpillars’, but also ‘modulations’ according to the New Music’s lexicon), possibly describing the poet as an innovative chef. Parallels with other comic fragments and later accounts of Philoxenus’ fame as a glutton and cook may offer a further reading of the lines and shed new light on Greek comedy’s criticism of New Music.

Greek and Roman Musical StudiesVol. 12(2)
University of Coimbra (PT)
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Openalex Percentile: Top 78%
Classical Antiquity Studies
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