Kant on the Deceitful Art of Rhetoric

Abstract Kant accuses bad rhetoric of being a deceitful art. In this article, I give an account of both what it means for Kant that bad rhetoric deceives and how this art deceives in the first place. Additionally, I explore significant moral and aesthetic repercussions of bad rhetoric’s being deceitful. The article is structured into Part A and Part B. I start by reconstructing Kant’s technical definition of deception as disagreement between the semblance and the cognition of truth. I go on to argue that bad rhetoric deceives by promising more than it provides. I show that bad rhetoric deceives technically. In Part B, I identify a distinctive trait of deception in bad rhetoric. By exploring this trait, I shed light upon Kant’s moral criticism of bad rhetoric, and I ultimately suggest Kant’s perspective on the appropriate aesthetic response to this art.

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Publication Details

Journal
The British Journal of Aesthetics
Published
2024-09-19
DOI
https://doi.org/10.1093/aesthj/ayae023
Citations
1
Primary Topic
Rhetoric and Communication Studies
Type
article
Field-Weighted Citation Impact
4.22
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article

Kant on the Deceitful Art of Rhetoric

João M. Lemos
1 citations
The British Journal of Aesthetics
Rhetoric and Communication Studies
4.22
article

Kant on the Deceitful Art of Rhetoric

João M. Lemos
article en
1 citations

Abstract

Abstract Kant accuses bad rhetoric of being a deceitful art. In this article, I give an account of both what it means for Kant that bad rhetoric deceives and how this art deceives in the first place. Additionally, I explore significant moral and aesthetic repercussions of bad rhetoric’s being deceitful. The article is structured into Part A and Part B. I start by reconstructing Kant’s technical definition of deception as disagreement between the semblance and the cognition of truth. I go on to argue that bad rhetoric deceives by promising more than it provides. I show that bad rhetoric deceives technically. In Part B, I identify a distinctive trait of deception in bad rhetoric. By exploring this trait, I shed light upon Kant’s moral criticism of bad rhetoric, and I ultimately suggest Kant’s perspective on the appropriate aesthetic response to this art.

The British Journal of AestheticsVol. 65(2)
Department of Medical Sciences (BY), Universidade Nova de Lisboa (PT)
Openalex Percentile: Top 6%
Rhetoric and Communication Studies
4.22
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Kant on the Deceitful Art of Rhetoric — João M. Lemos · The British Journal of Aesthetics (2024) | TGRS Research Map | TGRS