On the Experience of Teaching Monumental Painting Using the Method of Visual Learning

The author of the article investigates the use of a visual teaching approach for monumental painting, as applied to fifth-year students at the Sergey Andriaka Academy of Watercolor and Fine Arts. The project involved students and their teacher collaboratively creating a painting plafond with a total area of 78 m 2 . The article chronicles the project's workflow, encompassing the creation of sketches, preparation of cardboard, execution of multilayer painting on canvases, and the subsequent installation of the plafond. Emphasis is placed on techniques for creating polychrome images using colorants with a restrained tonal and color palette, as well as on the multilayer oil painting process, which includes a grisaille tempera undercoat and a final glaze.

Authors

Publication Details

Journal
Secreta Artis
Published
2024-09-17
DOI
https://doi.org/10.51236/2618-7140-2024-7-1-75-87
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.00
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article

On the Experience of Teaching Monumental Painting Using the Method of Visual Learning

A. P. Volkov
Secreta Artis
Digital Media and Visual Art
article

On the Experience of Teaching Monumental Painting Using the Method of Visual Learning

A. P. Volkov
article en

Abstract

The author of the article investigates the use of a visual teaching approach for monumental painting, as applied to fifth-year students at the Sergey Andriaka Academy of Watercolor and Fine Arts. The project involved students and their teacher collaboratively creating a painting plafond with a total area of 78 m 2 . The article chronicles the project's workflow, encompassing the creation of sketches, preparation of cardboard, execution of multilayer painting on canvases, and the subsequent installation of the plafond. Emphasis is placed on techniques for creating polychrome images using colorants with a restrained tonal and color palette, as well as on the multilayer oil painting process, which includes a grisaille tempera undercoat and a final glaze.

Secreta ArtisVol. 7(1)
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