grARffiti: The Reconstruction and Deployment of Augmented Reality (AR) Graffiti

Graffiti relies on social instrumentation for its creation on spatial structures. It is questioned whether different mechanisms exist to transfer social and spatial hierarchies under a new model for better engagement, management, and governance. This research aims to replace physical graffiti using augmented reality (AR) in smartphones. Contact-free AR graffiti starts with the creation of 3D graffiti; this is followed by an AR cloud platform upload, quick response (QR) code access, and site deployment, leading to the secondary reconstruction of a field scene using smartphone screenshots. The working structure was created based on the first 3D reconstruction of graffiti details as AR models and second 3D reconstruction of field graffiti on different backgrounds using a photogrammetry method. The 3D graffiti can be geotagged as a personal map and 3D printed for collections. This culture-engaged AR creates a two-way method of interacting with spatial structures where the result is collected as a self-governed form of social media. The reinterpreted context is represented by a virtual 3D sticker or symbolized name card shared on the cloud. The hidden or social hierarchy was reinterpreted by a sense of ritual without altering any space. The application of digital stickers in AR redefines the spatial order, typology, and governance of graffiti.

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Publication Details

Journal
Technologies
Published
2024-09-17
DOI
https://doi.org/10.3390/technologies12090169
Citations
5
Primary Topic
Public Spaces through Art
Type
article
Field-Weighted Citation Impact
9.79
Controls
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article

grARffiti: The Reconstruction and Deployment of Augmented Reality (AR) Graffiti

Naai‐Jung Shih, Ching-Hsuan Kung
5 citations
Technologies
Public Spaces through Art
9.79
article

grARffiti: The Reconstruction and Deployment of Augmented Reality (AR) Graffiti

Naai‐Jung Shih, Ching-Hsuan Kung
article en
5 citations

Abstract

Graffiti relies on social instrumentation for its creation on spatial structures. It is questioned whether different mechanisms exist to transfer social and spatial hierarchies under a new model for better engagement, management, and governance. This research aims to replace physical graffiti using augmented reality (AR) in smartphones. Contact-free AR graffiti starts with the creation of 3D graffiti; this is followed by an AR cloud platform upload, quick response (QR) code access, and site deployment, leading to the secondary reconstruction of a field scene using smartphone screenshots. The working structure was created based on the first 3D reconstruction of graffiti details as AR models and second 3D reconstruction of field graffiti on different backgrounds using a photogrammetry method. The 3D graffiti can be geotagged as a personal map and 3D printed for collections. This culture-engaged AR creates a two-way method of interacting with spatial structures where the result is collected as a self-governed form of social media. The reinterpreted context is represented by a virtual 3D sticker or symbolized name card shared on the cloud. The hidden or social hierarchy was reinterpreted by a sense of ritual without altering any space. The application of digital stickers in AR redefines the spatial order, typology, and governance of graffiti.

TechnologiesVol. 12(9)
National Taiwan University of Science and Technology (TW)
Openalex Percentile: Top 2%
Public Spaces through Art
9.79
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