‘And so Beautifully Illuminated’: Hand‐coloured Luther Bibles from the Sixteenth Century^☆

Abstract This article explores the practice of hand colouring illustrated Luther Bibles in the sixteenth century. It is based on analysis from over 120 copies of various editions of Luther's translation of the Bible. The most well‐known examples are Hans Lufft's editions printed on parchment in 1541 and 1560, illuminated by Lucas Cranach the Younger. However, these copies represent only the very top of the market; the research presented in this article demonstrates that hand colouring was a widespread practice that began with the very first edition of Luther's New Testament in 1522, and continued throughout the sixteenth century and beyond, across the German‐speaking lands, in all formats, and for all levels of the market. This article argues that the hand colouring served an aesthetic purpose, making the complex illustrations more vivacious and legible for the viewer. The colouring also transformed a mass‐produced object into a unique work of art that reflected its spiritual significance, an understudied feature of Lutheran material culture, and one which transcended confessional divides in sixteenth‐century Europe.