Co-crafting the Meaning of Potter’s Craft

The article is based on ethnography and the autoethnography of making. It presents an anthropological reflection on pottery craft as a way of life in a 21st-century village in Poland. The individual case of a village pottery shop in the region of Masuria is in focus, a place located in the north of the country. The exchange of knowledge and a participatory mode characterised the ethnographic enterprise. The author’s approach combines critical reflections on the social construction of folk art and craft in Poland with discursive renderings of craft-related bodily knowledge and the embodied recognition of materials and their affordances. Highlighting the alienating potential of the folk representation of the rural, it follows the meanings of pottery craft having been accommodated in the lifeworld of a modern village potter. The pottery workshop is presented both as an environment where skills and techniques are mastered as well as where experimentation happens and knowledge is built. The author focuses on recognising features of the world that are only made available through practicing the potter’s craft. The craft is also a way of establishing meaningful links with the local environment of the potter.

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Publication Details

Journal
Ethnologia Fennica
Published
2024-09-17
DOI
https://doi.org/10.23991/ef.v51i1.142734
Primary Topic
Crafts, Textile, and Design
Type
article
Field-Weighted Citation Impact
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article

Co-crafting the Meaning of Potter’s Craft

Ewa Klekot
Ethnologia Fennica
Crafts, Textile, and Design
article

Co-crafting the Meaning of Potter’s Craft

Ewa Klekot
article en

Abstract

The article is based on ethnography and the autoethnography of making. It presents an anthropological reflection on pottery craft as a way of life in a 21st-century village in Poland. The individual case of a village pottery shop in the region of Masuria is in focus, a place located in the north of the country. The exchange of knowledge and a participatory mode characterised the ethnographic enterprise. The author’s approach combines critical reflections on the social construction of folk art and craft in Poland with discursive renderings of craft-related bodily knowledge and the embodied recognition of materials and their affordances. Highlighting the alienating potential of the folk representation of the rural, it follows the meanings of pottery craft having been accommodated in the lifeworld of a modern village potter. The pottery workshop is presented both as an environment where skills and techniques are mastered as well as where experimentation happens and knowledge is built. The author focuses on recognising features of the world that are only made available through practicing the potter’s craft. The craft is also a way of establishing meaningful links with the local environment of the potter.

Ethnologia FennicaVol. 51(1)
Uniwersytet SWPS (PL)
Openalex Percentile: Top 81%
Crafts, Textile, and Design
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Co-crafting the Meaning of Potter’s Craft — Ewa Klekot · Ethnologia Fennica (2024) | TGRS Research Map | TGRS