Anti-Shakespeare shrews: Women, sexism, and talking back to the Bard in Upstart Crow and All Is True

Ben Elton's Upstart Crow (2016–18) is a popular BBC sitcom about Shakespeare's early years as a writer, while Elton's All Is True (2018) is a somber biopic about Shakespeare's retirement to his family home in Stratford-upon-Avon. Elton's biofictions place a fictionalized historic Shakespeare in direct contact with female antifans—his wife, daughters, and female friends—to broach the contemporary concern of gender equality. In each of Elton's texts, antifans expose Shakespeare's sexism and investment in the patriarchal status quo. However, despite the depth of the antifans' antipathy, Shakespeare antifandom sometimes emerges as ambivalent. A third text, teen comedy St. Trinian's 2: The Legend of Fritton's Gold (2009), centers its plot on Shakespeare and his antifans but offers a different spin on both.

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Publication Details

Journal
Transformative Works and Cultures
Published
2024-09-14
DOI
https://doi.org/10.3983/twc.2024.2557
Citations
1
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
Field-Weighted Citation Impact
3.91
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article

Anti-Shakespeare shrews: Women, sexism, and talking back to the Bard in Upstart Crow and All Is True

Edel Semple
1 citations
Transformative Works and Cultures
Shakespeare, Adaptation, and Literary Criticism
3.91
article

Anti-Shakespeare shrews: Women, sexism, and talking back to the Bard in Upstart Crow and All Is True

Edel Semple
article en
1 citations

Abstract

Ben Elton's Upstart Crow (2016–18) is a popular BBC sitcom about Shakespeare's early years as a writer, while Elton's All Is True (2018) is a somber biopic about Shakespeare's retirement to his family home in Stratford-upon-Avon. Elton's biofictions place a fictionalized historic Shakespeare in direct contact with female antifans—his wife, daughters, and female friends—to broach the contemporary concern of gender equality. In each of Elton's texts, antifans expose Shakespeare's sexism and investment in the patriarchal status quo. However, despite the depth of the antifans' antipathy, Shakespeare antifandom sometimes emerges as ambivalent. A third text, teen comedy St. Trinian's 2: The Legend of Fritton's Gold (2009), centers its plot on Shakespeare and his antifans but offers a different spin on both.

Transformative Works and CulturesVol. 43
University College Cork (IE)
Gender equality
Openalex Percentile: Top 6%
Shakespeare, Adaptation, and Literary Criticism
3.91
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