Niranjan Mohanty: Revisiting Kalahandi Through Odia-English Poetry

Niranjan Mohanty is an Odia poet who chooses to write in English. This choice seems to have been prompted by his profession. Being a professor of English it perhaps became convenient for him to accept English as the medium of his poetry. Besides being a poet of humanity the flavour of Odisha is quite distinct in his writing. However vast may be his canvas but Odisha conveys a special resonance. The land, legends, music, myths of Odisha have received special attention from him. Though the form he adopts is foreign, the content on the contrary remains quintessentially his own. This form-content disparity does not offer his readers any sense of awkwardness. That sense of divide is never evident. He seems to have successfully bridged the apparently difficult gap. His poetry is incontestably simple but sometimes it appears to be simplistic. This paper is an attempt to express Mohanty’s humanism.

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Publication Details

Journal
International Journal of Social Science and Human Research
Published
2024-09-10
DOI
https://doi.org/10.47191/ijsshr/v7-i09-12
Primary Topic
South Asian Studies and Conflicts
Type
article
Field-Weighted Citation Impact
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article

Niranjan Mohanty: Revisiting Kalahandi Through Odia-English Poetry

Shakti Shankar Dandapat
International Journal of Social Science and Human Research
South Asian Studies and Conflicts
article

Niranjan Mohanty: Revisiting Kalahandi Through Odia-English Poetry

Shakti Shankar Dandapat
article en

Abstract

Niranjan Mohanty is an Odia poet who chooses to write in English. This choice seems to have been prompted by his profession. Being a professor of English it perhaps became convenient for him to accept English as the medium of his poetry. Besides being a poet of humanity the flavour of Odisha is quite distinct in his writing. However vast may be his canvas but Odisha conveys a special resonance. The land, legends, music, myths of Odisha have received special attention from him. Though the form he adopts is foreign, the content on the contrary remains quintessentially his own. This form-content disparity does not offer his readers any sense of awkwardness. That sense of divide is never evident. He seems to have successfully bridged the apparently difficult gap. His poetry is incontestably simple but sometimes it appears to be simplistic. This paper is an attempt to express Mohanty’s humanism.

International Journal of Social Science and Human ResearchVol. 7(09)
Maharaja Sriram Chandra Bhanja Deo University (IN)
Openalex Percentile: Top 76%
South Asian Studies and Conflicts
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