Let’s NOT Celebrate Cook: Robyn Kahukiwa’s Confrontational 2020 Exhibition

This article examines the provocative exhibition Let’s NOT Celebrate Cook, a selection of paintings by Māori artist Robyn Kahukiwa (Ngāti Porou, Te Aitanga-a-Hauiti, Ngāti Hau, Ngāti Konohi, Whānau-a-Ruataupare) at Mahara Gallery, Waikanae, near Wellington, in 2020.[i] Employing a decolonial lens, it explores the extent to which Kahukiwa’s artistic intervention disrupts the hegemony of Western historical discourse and reclaims an Indigenous narrative. It considers how, in foregrounding an Indigenous perspective, her artworks encourage candid discussion regarding the legacy and impacts of British colonisation in present-day Aotearoa New Zealand. [i] Following an eighteen-month closure for extensive redevelopment, Mahara Gallery reopened in October 2023 under the new name of Toi MAHARA.

Authors

Institutions

Publication Details

Journal
Journal of New Zealand studies
Published
2024-09-09
DOI
https://doi.org/10.26686/jnzs.ins38.9591
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Let’s NOT Celebrate Cook: Robyn Kahukiwa’s Confrontational 2020 Exhibition

Karen A. Blennerhassett
Journal of New Zealand studies
Museums and Cultural Heritage
article

Let’s NOT Celebrate Cook: Robyn Kahukiwa’s Confrontational 2020 Exhibition

Karen A. Blennerhassett
article en

Abstract

This article examines the provocative exhibition Let’s NOT Celebrate Cook, a selection of paintings by Māori artist Robyn Kahukiwa (Ngāti Porou, Te Aitanga-a-Hauiti, Ngāti Hau, Ngāti Konohi, Whānau-a-Ruataupare) at Mahara Gallery, Waikanae, near Wellington, in 2020.[i] Employing a decolonial lens, it explores the extent to which Kahukiwa’s artistic intervention disrupts the hegemony of Western historical discourse and reclaims an Indigenous narrative. It considers how, in foregrounding an Indigenous perspective, her artworks encourage candid discussion regarding the legacy and impacts of British colonisation in present-day Aotearoa New Zealand. [i] Following an eighteen-month closure for extensive redevelopment, Mahara Gallery reopened in October 2023 under the new name of Toi MAHARA.

Journal of New Zealand studies(NS38)
University of Auckland (NZ)
Openalex Percentile: Top 82%
Museums and Cultural Heritage
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.