Is God evolving? Totems in contemporary art

This article explores the evolution of totemic symbolism in contemporary visual art and its profound link with religious concepts, particularly the image of God. It examines how artists reinterpret sacred themes through totems, reflecting both historical religious traditions and modern societal transformations. Through a review of totemic representations from ancient to contemporary artworks, this study illuminates the evolving portrayal of divine figures – from traditional religious icons to more personalised spiritual symbols. This evolution not only signifies changes in artistic expression but also suggests a deepening societal understanding of divinity. The analysis highlights the totem’s role as a mediator between the human and the divine, offering insights into the spiritual connections that transcend conventional religious frameworks. This research not only enriches the discourse on the relationship between art and religion but also underscores the dynamic interaction between cultural heritage and contemporary artistic exploration.Contribution: This study enriches the field of art history and religious studies by tracing the transformative representation of totems in art from ancient symbolism to modern reinterpretations. It underscores the totem’s role as a dynamic symbol in contemporary visual culture, facilitating deeper spiritual connections and dialogues across various cultural and religious landscapes. The findings of this study provide a nuanced understanding of how contemporary art mediates complex theological concepts, thus offering new perspectives on the intersection of art, religion and spirituality.

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Publication Details

Journal
HTS Teologiese Studies / Theological Studies
Published
2024-09-10
DOI
https://doi.org/10.4102/hts.v80i2.9910
Primary Topic
Theology and Philosophy of Evil
Type
article
Field-Weighted Citation Impact
0.00
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article

Is God evolving? Totems in contemporary art

Aixin Zhang, Zhilong Yan
HTS Teologiese Studies / Theological Studies
Theology and Philosophy of Evil
article

Is God evolving? Totems in contemporary art

Aixin Zhang, Zhilong Yan
article en

Abstract

This article explores the evolution of totemic symbolism in contemporary visual art and its profound link with religious concepts, particularly the image of God. It examines how artists reinterpret sacred themes through totems, reflecting both historical religious traditions and modern societal transformations. Through a review of totemic representations from ancient to contemporary artworks, this study illuminates the evolving portrayal of divine figures – from traditional religious icons to more personalised spiritual symbols. This evolution not only signifies changes in artistic expression but also suggests a deepening societal understanding of divinity. The analysis highlights the totem’s role as a mediator between the human and the divine, offering insights into the spiritual connections that transcend conventional religious frameworks. This research not only enriches the discourse on the relationship between art and religion but also underscores the dynamic interaction between cultural heritage and contemporary artistic exploration.Contribution: This study enriches the field of art history and religious studies by tracing the transformative representation of totems in art from ancient symbolism to modern reinterpretations. It underscores the totem’s role as a dynamic symbol in contemporary visual culture, facilitating deeper spiritual connections and dialogues across various cultural and religious landscapes. The findings of this study provide a nuanced understanding of how contemporary art mediates complex theological concepts, thus offering new perspectives on the intersection of art, religion and spirituality.

HTS Teologiese Studies / Theological StudiesVol. 80(2)
Shanghai Theatre Academy (CN)
Openalex Percentile: Top 75%
Theology and Philosophy of Evil
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