The audience and the message: Nayombolmi’s bark paintings from western Arnhem Land, Australia

The Aboriginal Badmardi artist Nayombolmi (c.1895-1967) is mostly known for his extensive rock art creations.In this article, we compile and present 17 bark paintings attributed to Nayombolmi.We picture the artist's life and engagement with art collectors and tourists, especially his long-term relationship with Dorothy Bennett and her son Lance.Known artworks created on stone and bark are compared regarding painted subject matters.Our findings reveal that artworks in the stone media are more varied and mainly created for his closest family and kin, while the bark paintings created for the growing art market are found to be more homogenous.It is argued that the artist's audiences and the social context of creating the art had a major impact on what motifs Nayombolmi painted.

Authors

Publication Details

Journal
Aboriginal History Journal
Published
2024-09-08
DOI
https://doi.org/10.22459/ah.47.2023.01
Citations
1
Primary Topic
Archaeology and Rock Art Studies
Type
article
Field-Weighted Citation Impact
4.08
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article

The audience and the message: Nayombolmi’s bark paintings from western Arnhem Land, Australia

Sally K. May, Joakim Goldhahn, Jeffrey Lee
1 citations
Aboriginal History Journal
Archaeology and Rock Art Studies
4.08
article

The audience and the message: Nayombolmi’s bark paintings from western Arnhem Land, Australia

Sally K. May, Joakim Goldhahn, Jeffrey Lee
article en
1 citations

Abstract

The Aboriginal Badmardi artist Nayombolmi (c.1895-1967) is mostly known for his extensive rock art creations.In this article, we compile and present 17 bark paintings attributed to Nayombolmi.We picture the artist's life and engagement with art collectors and tourists, especially his long-term relationship with Dorothy Bennett and her son Lance.Known artworks created on stone and bark are compared regarding painted subject matters.Our findings reveal that artworks in the stone media are more varied and mainly created for his closest family and kin, while the bark paintings created for the growing art market are found to be more homogenous.It is argued that the artist's audiences and the social context of creating the art had a major impact on what motifs Nayombolmi painted.

Aboriginal History JournalVol. 47
Openalex Percentile: Top 8%
Archaeology and Rock Art Studies
4.08
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