The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances
The design of robust and trustworthy Generative AI (GenAI) requires a deep understanding of the agencies emerging from human interactions with them. To contribute to this goal, we retrospectively studied an art project involving a visual artist, a computer scientist, an artistic director, and a generative model (GPT-2). The model was fine-tuned with trip reports describing the experience of eating psychedelic mushrooms. Building on agential realism, we analysed the co-performance between the artist and the model as their agency moved along the choreographer-performer continuum. Results reveal ontological surprises, leading to the proposal of entangled authorship to de-individualise the production of knowledge from a More Than Human perspective. The paper illustrates how art can expose different forms of relationships, challenging the idea of GenAI as just a tool that simplifies or replaces human labour. We conclude by emphasising the transformational potential of GenAI for novel modes of engagement between humans and machines.
Authors
- Antonella De Angeli (ORCID: https://orcid.org/0000-0002-1525-0489)
- P. C. Grigis (ORCID: https://orcid.org/0009-0002-5695-4279)
- Michele Cremaschi (ORCID: https://orcid.org/0009-0003-9062-3972)
- María Menéndez-Blanco (ORCID: https://orcid.org/0000-0002-7353-5183)
- Federico Bomba
Institutions
- Free University of Bozen-Bolzano (IT)
Publication Details
- Journal
- ACM Transactions on Computer-Human Interaction
- Published
- 2024-09-06
- DOI
- https://doi.org/10.1145/3689040
- Citations
- 10
- Primary Topic
- Law in Society and Culture
- Type
- article
- Field-Weighted Citation Impact
- 40.74