The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances

The design of robust and trustworthy Generative AI (GenAI) requires a deep understanding of the agencies emerging from human interactions with them. To contribute to this goal, we retrospectively studied an art project involving a visual artist, a computer scientist, an artistic director, and a generative model (GPT-2). The model was fine-tuned with trip reports describing the experience of eating psychedelic mushrooms. Building on agential realism, we analysed the co-performance between the artist and the model as their agency moved along the choreographer-performer continuum. Results reveal ontological surprises, leading to the proposal of entangled authorship to de-individualise the production of knowledge from a More Than Human perspective. The paper illustrates how art can expose different forms of relationships, challenging the idea of GenAI as just a tool that simplifies or replaces human labour. We conclude by emphasising the transformational potential of GenAI for novel modes of engagement between humans and machines.

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Publication Details

Journal
ACM Transactions on Computer-Human Interaction
Published
2024-09-06
DOI
https://doi.org/10.1145/3689040
Citations
10
Primary Topic
Law in Society and Culture
Type
article
Field-Weighted Citation Impact
40.74
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article

The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances

Antonella De Angeli, P. C. Grigis, Michele Cremaschi, María Menéndez-Blanco et al.
10 citations
ACM Transactions on Computer-Human Interaction
Law in Society and Culture
40.74
article

The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances

Antonella De Angeli, P. C. Grigis, Michele Cremaschi, María Menéndez-Blanco, Federico Bomba
article en
10 citations

Abstract

The design of robust and trustworthy Generative AI (GenAI) requires a deep understanding of the agencies emerging from human interactions with them. To contribute to this goal, we retrospectively studied an art project involving a visual artist, a computer scientist, an artistic director, and a generative model (GPT-2). The model was fine-tuned with trip reports describing the experience of eating psychedelic mushrooms. Building on agential realism, we analysed the co-performance between the artist and the model as their agency moved along the choreographer-performer continuum. Results reveal ontological surprises, leading to the proposal of entangled authorship to de-individualise the production of knowledge from a More Than Human perspective. The paper illustrates how art can expose different forms of relationships, challenging the idea of GenAI as just a tool that simplifies or replaces human labour. We conclude by emphasising the transformational potential of GenAI for novel modes of engagement between humans and machines.

ACM Transactions on Computer-Human InteractionVol. 31(6)
Free University of Bozen-Bolzano (IT)
Openalex Percentile: Top 0%
Law in Society and Culture
40.74
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