PERSONAZHI NARRATOR – QASJA TEORIKE DHE SHEMBUJ NGA ROMANET E KADARESË

During the creative process, more precisely of writing the prose text, technical choices must be made in order to convey a semantic meaning that the character carries. Narrative mode, otherwise called, "narrative information regulator" creates two paths with the reader. According to Zhenet, all narration is necessarily diegesis (narrator's process), in the sense that it can achieve no more than an illusion of mimesis (imitation), making the event real and alive, as characteristic of the prose of tall. For Zhenet, the world's most famous narratologist, a narrative cannot imitate reality, no matter how "realistic" it is; it is meant to be a fictional language act that arises from a narrative instance. "The narrative process, which occurs in the writing of the prose text, does not present only an event (real or fictional) it identifies it through the help of stylistic and aesthetic linguistic material. Thus, instead of the two main traditional modes of narrative ( diegesis and mimesis), Zheneti asserts that they are simply levels of diegesis, with narrators more or less involved in the prose, leaving less or more space for the narrative act.

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Publication Details

Journal
Albanologjia
Published
2024-09-05
DOI
https://doi.org/10.62792/ut.albanologjia.v11.i21-22.p2584
Primary Topic
Translation Studies and Practices
Type
article
Field-Weighted Citation Impact
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article

PERSONAZHI NARRATOR – QASJA TEORIKE DHE SHEMBUJ NGA ROMANET E KADARESË

Arlind FARIZI, Valdet HYSENAJ, Rexhep HOTI
Albanologjia
Translation Studies and Practices
article

PERSONAZHI NARRATOR – QASJA TEORIKE DHE SHEMBUJ NGA ROMANET E KADARESË

Arlind FARIZI, Valdet HYSENAJ, Rexhep HOTI
article en

Abstract

During the creative process, more precisely of writing the prose text, technical choices must be made in order to convey a semantic meaning that the character carries. Narrative mode, otherwise called, "narrative information regulator" creates two paths with the reader. According to Zhenet, all narration is necessarily diegesis (narrator's process), in the sense that it can achieve no more than an illusion of mimesis (imitation), making the event real and alive, as characteristic of the prose of tall. For Zhenet, the world's most famous narratologist, a narrative cannot imitate reality, no matter how "realistic" it is; it is meant to be a fictional language act that arises from a narrative instance. "The narrative process, which occurs in the writing of the prose text, does not present only an event (real or fictional) it identifies it through the help of stylistic and aesthetic linguistic material. Thus, instead of the two main traditional modes of narrative ( diegesis and mimesis), Zheneti asserts that they are simply levels of diegesis, with narrators more or less involved in the prose, leaving less or more space for the narrative act.

AlbanologjiaVol. 11(21-22)
Quality Education
Openalex Percentile: Top 75%
Translation Studies and Practices
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