Notes on Contributors

Yona Hanhart-Marmor is a senior lecturer in French literature at the Hebrew University of Jerusalem. She is the author of Des pouvoirs de l'ekphrasis: L'objet auratique dans l'oeuvre de Claude Simon (2014) and Pierre Michon: Une écriture oblique (2020). In recent years, her research has focused on investigation narratives written by third-generation descendants of the Shoah, and she has published several articles on the issues of memory and identity, in French Studies (2022), Roman 20/50 (2021), Études littéraires (2022), and Revue des sciences humaines (2024).Martin Hipsky is professor emeritus of English at Ohio Wesleyan University. He has published on heritage cinema, Pierre Bourdieu, The Sopranos, and the relationship between the romance genre and literary modernism. He is currently writing a book on the emerging phenomenon of a new canon of serial streaming fiction.Susan McCabe is a professor teaching poetics, modernism, ecology, and creative writing at the University of Southern California (USC) in Los Angeles, where she has directed the PhD Creative Writing program. A past president of the Modernist Studies Association, she has received a Fulbright, a residential fellowship at American Academy in Berlin, as well as a fellowship at Stanford's Humanities Center in 2016. She has published several books, including most recently a dual biography, H.D. and Bryher: An Untold Love Story of Modernism (2021). Her manuscript I Woke a Lake will be published in 2025. Her poetry reviews have appeared recently in the Los Angeles Review of Books and Denver Quarterly, among other venues. She has also written an introduction for the 2021 reprint of Bryher's World War II – set Beowulf.Thaïs Miller is an assistant professor of creative writing in the Department of Film, Theatre, and Creative Writing at the University of Central Arkansas. Her articles have appeared in Jewish Film and New Media (2020) and Studies in Popular Culture (2019). She received her PhD in literature with a creative/critical writing concentration from the University of California, Santa Cruz, in June 2024. Information about her creative and critical work can be found at https://thaismiller.wordpress.com.Anat Sella Inbar is the founder and director of the Television Studies Program at Sapir College, School of Audio and Visual Arts in southwest Israel. She is writing a PhD dissertation about casting in Israeli television drama series at the Department of Communication and Journalism of the Hebrew University of Jerusalem. Her previous article regarding the hermeneutics of casting in the television series In Treatment was published in Critical Studies in Television (2018). She teaches television workshops and courses at Sapir College. Sella Inbar is a graduate of the Tel Aviv University Tisch School of Film and Television and has an MFA degree in television production from the City University of New York. Before her academic career, she worked as a television producer in Israel and the United States.Michael Szalay is professor of English, film, and media at the University of California, Irvine. He is also a film and television editor at the Los Angles Review of Books. His most recent work is Second Lives: Black-Market Melodramas and the Reinvention of Television (2023).Irene Tucker and Milette Shamir are the coeditors of Poetics Today.