Screening race, streaming Frenchness: Women of colour on French Netflix

This article builds on the emerging scholarship on Netflix productions and French series to analyse questions of racial visibility and feminine representation in two series: Dix pour cent/Call My Agent! (France Télévisions/Netflix, 2015–2020) and Plan cœur/The Hook-Up Plan (Netflix, 2018–2022). The first section focuses on Dix pour cent’s Sofia Leprince, a mixed-race receptionist and aspiring actress, and the ways in which she serves to highlight the lack of Black actors in French cinema. The second section analyses Plan cœur’s Charlotte Ben Smires, a young woman at a career crossroads who offers a paradoxical perspective on the place of Maghrebi descendants in – and their relationship with – France. Overall, the authors examine how Dix pour cent and Plan cœur, two series featuring strong women of colour, navigate racial visibility in universalist French contexts. These series speak back to a striking historical absence of actors of colour – especially women – from French television screens, yet they are nonetheless circumscribed in persistent norms of republican universalism and thus racial colour-blindness. This article examines this paradox to determine whether these successful contemporary series can truly offer ‘narrative renewal’ within the confines of republican representation norms.

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Publication Details

Journal
French Screen Studies
Published
2024-09-03
DOI
https://doi.org/10.1080/26438941.2024.2389621
Primary Topic
African history and culture studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Screening race, streaming Frenchness: Women of colour on French Netflix

Gemma King, Loïc Bourdeau
French Screen Studies
African history and culture studies
article

Screening race, streaming Frenchness: Women of colour on French Netflix

Gemma King, Loïc Bourdeau
article en

Abstract

This article builds on the emerging scholarship on Netflix productions and French series to analyse questions of racial visibility and feminine representation in two series: Dix pour cent/Call My Agent! (France Télévisions/Netflix, 2015–2020) and Plan cœur/The Hook-Up Plan (Netflix, 2018–2022). The first section focuses on Dix pour cent’s Sofia Leprince, a mixed-race receptionist and aspiring actress, and the ways in which she serves to highlight the lack of Black actors in French cinema. The second section analyses Plan cœur’s Charlotte Ben Smires, a young woman at a career crossroads who offers a paradoxical perspective on the place of Maghrebi descendants in – and their relationship with – France. Overall, the authors examine how Dix pour cent and Plan cœur, two series featuring strong women of colour, navigate racial visibility in universalist French contexts. These series speak back to a striking historical absence of actors of colour – especially women – from French television screens, yet they are nonetheless circumscribed in persistent norms of republican universalism and thus racial colour-blindness. This article examines this paradox to determine whether these successful contemporary series can truly offer ‘narrative renewal’ within the confines of republican representation norms.

French Screen StudiesVol. 25(3)
Australian National University (AU), National University of Ireland, Maynooth (IE)
Gender equality
Openalex Percentile: Top 80%
African history and culture studies
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