Colonial Entanglements and Ecological Power: Spice Commodification in Dune Movie

This study examines the themes of colonial entanglement and ecological power in the film Dune (2021), focusing on the commodification of the spice "melange" on Arrakis. Using postcolonial ecocriticism and cultural studies frameworks, it explores how the film portrays environmental exploitation and the marginalization of the indigenous Fremen. The analysis reveals how colonial powers, like House Harkonnen and House Atreides, dehumanize and oppress the Fremen, ignoring their ecological knowledge and cultural significance. By drawing parallels to real-world colonial histories, the study highlights the film's critique of environmental degradation and cultural marginalization. It underscores the importance of recognizing indigenous knowledge and rights for sustainable and equitable resource management. This interdisciplinary approach provides insights into the ongoing relevance of colonial power dynamics and resource commodification in contemporary society.Keywords : Dune, Ecocriticism, Colonialism, Exploitation, Cultural Marginalization

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Publication Details

Journal
Lingua Susastra
Published
2024-08-14
DOI
https://doi.org/10.24036/ls.v5i2.344
Primary Topic
Ecocriticism and Environmental Literature
Type
article
Field-Weighted Citation Impact
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article

Colonial Entanglements and Ecological Power: Spice Commodification in Dune Movie

Yusrina Dinar Prihatika
Lingua Susastra
Ecocriticism and Environmental Literature
article

Colonial Entanglements and Ecological Power: Spice Commodification in Dune Movie

Yusrina Dinar Prihatika
article en

Abstract

This study examines the themes of colonial entanglement and ecological power in the film Dune (2021), focusing on the commodification of the spice "melange" on Arrakis. Using postcolonial ecocriticism and cultural studies frameworks, it explores how the film portrays environmental exploitation and the marginalization of the indigenous Fremen. The analysis reveals how colonial powers, like House Harkonnen and House Atreides, dehumanize and oppress the Fremen, ignoring their ecological knowledge and cultural significance. By drawing parallels to real-world colonial histories, the study highlights the film's critique of environmental degradation and cultural marginalization. It underscores the importance of recognizing indigenous knowledge and rights for sustainable and equitable resource management. This interdisciplinary approach provides insights into the ongoing relevance of colonial power dynamics and resource commodification in contemporary society.Keywords : Dune, Ecocriticism, Colonialism, Exploitation, Cultural Marginalization

Lingua SusastraVol. 5(2)
Universitas Ahmad Dahlan (ID)
Openalex Percentile: Top 78%
Ecocriticism and Environmental Literature
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