Gender Parity in Sa’idu Faru’s Song ‘Waƙar Mai Babban Ɗaki

This study examines the songs of Sa'idu Faru, a prominent Hausa court singer, to explore their potential for promoting gender parity. Focusing on Faru's compositions for Queen Mother Hajiya Asabe, particularly "Waƙar Mai Babban Ɗaki" (Song of the Queen Mother), the research utilizes Feminist Theory to explore how the song challenges the patriarchal power structure and advocates for gender equality. Through close reading and thematic analysis of the lyrics, the focus is on the Queen Mother's portrayal and how it disrupts traditional gender norms. The paper argues that Faru's songs challenge traditional gender roles by celebrating the Queen Mother's power and authority. By portraying her as a wise leader and philanthropist, Faru subtly subverts expectations of masculinity and proposes an alternative based on respect and collaboration. This analysis highlights the potential of music to promote social change and contribute to a more equitable gender dynamic within Hausa society.