A Schema for <b> <i>Artorius</i> </b>: History, John Heath-Stubbs, and the Last Modernist Epic

Abstract Although John Heath-Stubbs’s long modernist epic Artorius is largely unknown, this ambitious text combines a cyclical vision of history with a linear one on its way to understanding Great Britain’s loss of imperial status. If this point has generally been missed, the complexity of Heath-Stubbs’s multiple symbolic superstructures partly accounts for the text’s unfortunate reception. Accordingly, I present an explanatory schema for Artorius in line with what other modernist texts – most famously Joyce’s Ulysses – have benefitted from. Besides unpacking the symbolic superstructures used by Heath-Stubbs, I also address how the poet, who lived in Egypt during the 1956 Suez crisis, uses them to answer a British nation that can no longer identify as a global power.

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Publication Details

Journal
JOURNAL OF THE INTERNATIONAL ARTHURIAN SOCIETY
Published
2024-08-29
DOI
https://doi.org/10.1515/jias-2024-0006
Primary Topic
Modernist Literature and Criticism
Type
article
Field-Weighted Citation Impact
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article

A Schema for Artorius : History, John Heath-Stubbs, and the Last Modernist Epic

Dennis Wilson Wise
JOURNAL OF THE INTERNATIONAL ARTHURIAN SOCIETY
Modernist Literature and Criticism
article

A Schema for Artorius : History, John Heath-Stubbs, and the Last Modernist Epic

Dennis Wilson Wise
article en

Abstract

Abstract Although John Heath-Stubbs’s long modernist epic Artorius is largely unknown, this ambitious text combines a cyclical vision of history with a linear one on its way to understanding Great Britain’s loss of imperial status. If this point has generally been missed, the complexity of Heath-Stubbs’s multiple symbolic superstructures partly accounts for the text’s unfortunate reception. Accordingly, I present an explanatory schema for Artorius in line with what other modernist texts – most famously Joyce’s Ulysses – have benefitted from. Besides unpacking the symbolic superstructures used by Heath-Stubbs, I also address how the poet, who lived in Egypt during the 1956 Suez crisis, uses them to answer a British nation that can no longer identify as a global power.

JOURNAL OF THE INTERNATIONAL ARTHURIAN SOCIETYVol. 12(1)
University of Arizona (US)
Openalex Percentile: Top 78%
Modernist Literature and Criticism
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