IN POST-1980 CONTEMPORARY TURKISH ART INTERDISCIPLINARITY AND INTERDISCIPLINARITY EXTREMISM

The coup of 1980 in Turkey was considered a negative impact of effective and long-term changes. Everything, including the historical process, political, economic, social and cultural phenomena, as well as street and art concepts, has been shaped before and after the 80s. The first half of the 80s became a period for Turkish art when works were published and bought and sold as commodities. After 1980, there was a major break in the field of visual arts, both in reviewing the subjects discussed and in the forms of creation. Artists who worked on the distribution of arbitrary border lines between political, economic, social or cultural products until the 80s gained a freer understanding of art in the 80s. With these understandings, after the 1990s, Turkish artists have signed practices that are open to diversity in art and are increasingly appreciated as interdisciplinary and interdisciplinary. This diversity has been provided with opportunities in the interdisciplinary and interdisciplinary period in which the art environment has been cultivated along social and cultural mobility such as global production, freedom, technological developments and international markets. Expanding the interdisciplinary and extreme expressions of disciplines within the scope of the research and examining the selected examples in a more comprehensive manner, revealing the results that Bitcoin has created in the last period and afterwards. Keywords: Turkish Art, Interdisciplinary, Transdisciplinary