Platforming the Joe Rogan Experience: Cancel Culture, Comedy, and Infrastructure

This paper outlines a cultural critique of the Joe Rogan Experience. Framing the podcast as an adaptive cultural platform, I emphasize how it is ideologically informed by both the established infrastructure and dynamics of communicative capitalism and Joe Rogan’s ethos as a comedian. The paper discusses three ways Joe Rogan and his format negotiate their relationship with platform infrastructures. The first is Rogan’s relationship with Spotify and his interest in shaping “cancel discourses” and, subsequently, his own role as an embedded, “uncancellable” skeptic. The second is the combination of Rogan’s roast universalism and pioneering speech-a-ton format, designed to establish an infrastructure for platforming his cohort of podcasting comedians on YouTube. The third is Rogan’s relationship with platform-owner Elon Musk, whose communicative capitalist agenda has political implications. The paper establishes a theoretical connection between studies of platformisation and the under-studied cultural influence of podcasting comedians.

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Publication Details

Journal
Television & New Media
Published
2024-08-31
DOI
https://doi.org/10.1177/15274764241277476
Citations
5
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
5.66
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article

Platforming the Joe Rogan Experience: Cancel Culture, Comedy, and Infrastructure

Nicola Bozzi
5 citations
Television & New Media
Digital Games and Media
5.66
article

Platforming the Joe Rogan Experience: Cancel Culture, Comedy, and Infrastructure

Nicola Bozzi
article en
5 citations

Abstract

This paper outlines a cultural critique of the Joe Rogan Experience. Framing the podcast as an adaptive cultural platform, I emphasize how it is ideologically informed by both the established infrastructure and dynamics of communicative capitalism and Joe Rogan’s ethos as a comedian. The paper discusses three ways Joe Rogan and his format negotiate their relationship with platform infrastructures. The first is Rogan’s relationship with Spotify and his interest in shaping “cancel discourses” and, subsequently, his own role as an embedded, “uncancellable” skeptic. The second is the combination of Rogan’s roast universalism and pioneering speech-a-ton format, designed to establish an infrastructure for platforming his cohort of podcasting comedians on YouTube. The third is Rogan’s relationship with platform-owner Elon Musk, whose communicative capitalist agenda has political implications. The paper establishes a theoretical connection between studies of platformisation and the under-studied cultural influence of podcasting comedians.

Television & New MediaVol. 26(1)
University of Greenwich (GB)
Openalex Percentile: Top 4%
Digital Games and Media
5.66
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Platforming the Joe Rogan Experience: Cancel Culture, Comedy, and Infrastructure — Nicola Bozzi · Television & New Media (2024) | TGRS Research Map | TGRS