The connection of mise-en-scene camera movement in the visual image to cinematic decoration as elements of scenography Applying to the movie “Kira and the Jinn”

Scenography is the spatial environment of a cinematic presentation, represented by visual elements and special effects. It is the art that defines ideas and perceptions in order to give meaning to the cinematic space, and forms its data according to a unified vision and visual formations that include spatial and temporal connotations that have the ability to generate the semantics of the dramatic text.It is a plastic art that works to create a visual system in the space of the shot. It is a constructive process based on the dimensions and depth of the shot. It is considered a real tool for plastic and creative expression through how its elements are composed and arranged in that space.This arrangement constitutes a special visual language for the cinematic film capable of enhancing the visual experience between Receiver and film. The essence of scenography is to create visual discourse and aesthetic visual translation capable of conveying the dramatic message.Considering that both the mise-en-scene of the external movement of the film and the cinematic decoration are elements of the stenographic formation that are built within the space of the shot, there is therefore a relationship linking them together to achieve the directorial vision and achieve the dramatic goal. The study ends by applying the two elements of scenography to some scenes from the movie “Kira Wal Jinn” to reach the construction of the space of the shot and find the relationship that connects the two previous elements to obtain an ideal, aesthetic visual image.