A Plein Air Painting Event as a Liminal Experience Building the Artists’ Community

The subject of the article is a plein air painting event, considered as a liminal experience that is widely practiced by traditional artists to create and maintain communities in the local and supra-local art fields. The interest in organizing this kind of meetings among artists, modern art galleries, and art schools is not decreasing, and one can talk about the exceptionally long duration of the phenomenon. This article discusses the experience of participants for whom these joint meetings have a metaphysical dimension. The descriptions and expressions used by the artists have become the inspiration to use Victor W. Turner’s concept in the analysis. That is why this practice is discussed as a liminal experience and a rite of passage, whereas the relations between its participants are understood in terms of a specific type of community that is called by Turner ‘spontaneous communitas’. All the considerations and conclusions included in this text are based on qualitative research conducted among visual artists.

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Publication Details

Journal
Przegląd Socjologii Jakościowej
Published
2024-08-31
DOI
https://doi.org/10.18778/1733-8069.20.3.03
Primary Topic
Art, Politics, and Modernism
Type
article
Field-Weighted Citation Impact
0.00
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article

A Plein Air Painting Event as a Liminal Experience Building the Artists’ Community

Agata Sulikowska-Dejena
1 links
Przegląd Socjologii Jakościowej
Art, Politics, and Modernism
article

A Plein Air Painting Event as a Liminal Experience Building the Artists’ Community

Agata Sulikowska-Dejena
article en

Abstract

The subject of the article is a plein air painting event, considered as a liminal experience that is widely practiced by traditional artists to create and maintain communities in the local and supra-local art fields. The interest in organizing this kind of meetings among artists, modern art galleries, and art schools is not decreasing, and one can talk about the exceptionally long duration of the phenomenon. This article discusses the experience of participants for whom these joint meetings have a metaphysical dimension. The descriptions and expressions used by the artists have become the inspiration to use Victor W. Turner’s concept in the analysis. That is why this practice is discussed as a liminal experience and a rite of passage, whereas the relations between its participants are understood in terms of a specific type of community that is called by Turner ‘spontaneous communitas’. All the considerations and conclusions included in this text are based on qualitative research conducted among visual artists.

Przegląd Socjologii JakościowejVol. 20(3)
Institute of Criminology of the Polish Forensic Association (PL)
Openalex Percentile: Top 79%
Art, Politics, and Modernism
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