Frames of Glass: Goldfish and Gender in Paint, Performance, and Print, 1870–1914

Abstract: This article draws upon examples from fiction, popular journalism, travel writing, theatre, and fine art from 1870 to 1914 to trace the evolving representation of goldfish in relation to shifting attitudes toward women in British and American culture. Beautiful and domesticated, yet quiet, unobtrusive, and often confined to its own miniature domestic "sphere," the goldfish seemed initially to parallel the domestic wife and had been used to naturalize domestic ideology. In the 1870s and 1880s, however, the importation of fancy goldfish with different and exaggerated morphological traits unsettled what the Victorians had taken to be self-evident and natural about this species and, by extension, their own. I argue that, at a time when the gender debate was inflected by biologically deterministic arguments about women's "natural" societal roles, the figure of the goldfish became a remarkably flexible discursive tool to grapple with (or endorse) the changing economic and social trajectories of Anglo-American women. A hitherto unexamined alternative to the quintessential Victorian image of the "bird in the cage," this study of the goldfish and its bowl provides insight into how the Victorians' confrontation with other species encouraged them to look more critically at themselves.