The Deviant Body: Object and Spectacle in The Old Curiosity Shop

Abstract: The Old Curiosity Shop , by title and by content, sublimely exhibits the Victorian period's enchantment with the curious. At first blush, the items of allure are the inanimate objects on display in Nell's grandfather's shop. With more measured inspection the question of animacy blurs, as both living and nonliving curiosities are subjected to the glare of fixation and fetishization. The Old Curiosity Shop is crowded with both inanimate and animate curiosities, the partition often obscured. As Victorian society obsessed over things and peculiarities, the animacy distinction collapsed. Deviant body forms were not exempt, reduced to mere curiosities, interchangeable and without identity, resulting in their ultimate abstraction through commodity culture, and displayed for profit in fairground sideshows. The Old Curiosity Shop embraces this fascination with body deviance, serving both as a reflection of cultural interest and as a vehicle to fuel societal captivation.

Authors

Publication Details

Journal
Dickens quarterly
Published
2024-08-31
DOI
https://doi.org/10.1353/dqt.2024.a936242
Citations
1
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
1.13
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article

The Deviant Body: Object and Spectacle in The Old Curiosity Shop

Todd Spooner
1 citations
Dickens quarterly
Cinema and Media Studies
1.13
article

The Deviant Body: Object and Spectacle in The Old Curiosity Shop

Todd Spooner
article en
1 citations

Abstract

Abstract: The Old Curiosity Shop , by title and by content, sublimely exhibits the Victorian period's enchantment with the curious. At first blush, the items of allure are the inanimate objects on display in Nell's grandfather's shop. With more measured inspection the question of animacy blurs, as both living and nonliving curiosities are subjected to the glare of fixation and fetishization. The Old Curiosity Shop is crowded with both inanimate and animate curiosities, the partition often obscured. As Victorian society obsessed over things and peculiarities, the animacy distinction collapsed. Deviant body forms were not exempt, reduced to mere curiosities, interchangeable and without identity, resulting in their ultimate abstraction through commodity culture, and displayed for profit in fairground sideshows. The Old Curiosity Shop embraces this fascination with body deviance, serving both as a reflection of cultural interest and as a vehicle to fuel societal captivation.

Dickens quarterlyVol. 41(3)
Decent work and economic growth
Openalex Percentile: Top 12%
Cinema and Media Studies
1.13
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