<i>Neapoli commorantes</i>: chiese nazionali e comunità forestiere nel viceregno spagnolo tra Cinque e Seicento

Abstract This article deals with national communities in Naples and their churches during the early modern period. Florentine, Lombard, and Genoese merchants had all received special privileges that exempted them from taxes on their trading and from local jurisdiction. These three nationes had different forms of government and the foundations and following stories of their churches differed dramatically. In fact, each of them fostered its own identity in several ways, hiring artists or employing iconographies from the motherland, allowing the coexistence of a ‘pantheon’ of patron saints or decorating their churches with techniques that were more common abroad. The Genoese nation is probably the most difficult to outline, as often its members decided to spread their patronage into the most important Neapolitan churches rather than gather in San Giorgio dei Genovesi.

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Publication Details

Journal
Zeitschrift für Kunstgeschichte
Published
2024-08-30
DOI
https://doi.org/10.1515/zkg-2024-3004
Primary Topic
Historical Art and Architecture Studies
Type
article
Field-Weighted Citation Impact
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article

Neapoli commorantes: chiese nazionali e comunità forestiere nel viceregno spagnolo tra Cinque e Seicento

Vincenzo Sorrentino
Zeitschrift für Kunstgeschichte
Historical Art and Architecture Studies
article

Neapoli commorantes: chiese nazionali e comunità forestiere nel viceregno spagnolo tra Cinque e Seicento

Vincenzo Sorrentino
article en

Abstract

Abstract This article deals with national communities in Naples and their churches during the early modern period. Florentine, Lombard, and Genoese merchants had all received special privileges that exempted them from taxes on their trading and from local jurisdiction. These three nationes had different forms of government and the foundations and following stories of their churches differed dramatically. In fact, each of them fostered its own identity in several ways, hiring artists or employing iconographies from the motherland, allowing the coexistence of a ‘pantheon’ of patron saints or decorating their churches with techniques that were more common abroad. The Genoese nation is probably the most difficult to outline, as often its members decided to spread their patronage into the most important Neapolitan churches rather than gather in San Giorgio dei Genovesi.

Zeitschrift für KunstgeschichteVol. 87(3)
University of Rome Tor Vergata (IT)
Openalex Percentile: Top 79%
Historical Art and Architecture Studies
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<i>Neapoli commorantes</i>: chiese nazionali e comunità forestiere nel viceregno spagnolo tra Cinque e Seicento — Vincenzo Sorrentino · Zeitschrift für Kunstgeschichte (2024) | TGRS Research Map | TGRS